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Results for: Underworld

We talk to the slo-mo house heads, The White Lamp

When slo-mo disco cut 'It's You' by The White Lamp appeared on Futureboogie in 2012, DJ Mag thought that a new talent had arrived. With...

The seminal tracks that changed dance forever

As a teenage boy, music-obsessed Kris Needs ran the fanclub of '70s bluesy-glam band Mott the Hoople before becoming immersed in the London punk scene...

Paul van Dyk began consuming music by listening to forbidden Western radio stations and smuggled mixtapes. After German reunification he was perfectly placed to start DJing...

“For twelve weeks, this city is ours”...

The Warehouse Project has revealed the full 12-week programme for its last ever season at Store Street. You can see the line-up below.

Kicking off...

Grum is back with a new sound that harks back to a halcyon age of dance music...

Grum’s latest single 'Tears' has drawn its fair share of attention from the key players. Both Pete Tong and Annie Mac showcased it on their...

Soft synth supremos Arturia have answered our prayers with a stupendous package of some of the most iconic synths ever in handy software form -...

Part of becoming older, and part of the old-skool, is becoming jaded and harder to excite. Once upon a time I couldn’t walk past a...

EDM is a genre that swept the global club and festival scene - particularly in the U.S. - in the late 2000s, riding on a...

We may not necessarily thank them for it – they probably wouldn’t thank themselves for it – but Daft Punk undoubtedly helped to lay the...

Sónar has always sought to support talent from its home country, and this year its programme highlighted the incredible creativity of Spain’s electronic music scene in...

Sónar 2019 took place last weekend, from Thursday 18th to Saturday 20th July. The programme featured artists that exist on the bleeding edge of electronic...


Anyone who’s encountered Stephan Bodzin’s...

On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...

Galcher Lustwerk aspires to luxury. “When people say that I do ‘ghetto house’, or if they use the word ‘ghetto’ to describe my music, I...

Bowie, Prince, Space, Trump: We look back at an eventful year – to put it mildly – through the prism of the electronic dance music...

For better or worse, 2016 has been a whirlwind year.

The world seems to have crammed about a decade’s worth of news into a mere...

The year's most memorable selections...

Despite the free music market we live in today, 2013 coughed up another smorgasbord of good quality comps from clubs, labels and collectives committing to...

aya

aya has dazzled the UK underground with her experimental club productions and genre-hopping DJ sets, which she demonstrates in her exhilarating “at the end of...

Tech house king

Joris Voorn is the tech house king who's risen to become one of Ibiza's biggest DJs in a matter of years. His restless work ethic...

Solid Gold - Chemical Brothers 'Come With Us'

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...