In the 2013 film The Wolf Of Wall Street, Jonah Hill’s character, Donnie Azoff, meets Leonardo DiCaprio’s Jordan Belfort in a diner. Donnie sees Jordan’s...
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DJ Mag travels to High Contrast's home city of Cardiff to meet the film-obsessed DJ/producer...
Lincoln Barrett really loves movies. Invited into his spacious house in the town of Penarth, minutes from central Cardiff, it’s impossible not to notice the...
DJ Mag caught up with this inspirational figure at the end of another great year...
“I hear things in pieces.”
Kerri Chandler is on the phone in his studio, talking about how he processes music after thirty-plus years in the...
The artists primed for big things in 2013!
If you thought 2012 was a fine vintage for speaker-cracking sounds, get a load of these lot. They're some of the cats who'll be making the dancefloor an intoxicating place to be this year. Serving up everything from deep disco vibes to subterranean bass darkness, these are the DJ/producers destined to make a splash in 2013...
As one half of the duo behind behemoth label and party series Solid Grooves, UK DJ and producer PAWSA has been a quiet but powerful...
In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape
Through its nurturing of new superstars like Aitch and other young local talent, Manchester’s NQ has become a veritable institution of modern UK rap, helping elevate regional artists across the UK. James Keith meets members of the crew during a recent takeover at the legendary Abbey Road Studios, and heads to NQ’s northern base to discover the secret to its success
During a year decimated by lockdowns and venue closures, our need for sonic connection has sparked the resurgence of independent radio across the UK. Here...
Two generations of Black women speak about their experiences in dance music
If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge
After more than three decades of DJing all over the world, Carl Cox remains one of dance music’s most beloved figures. With a new album on the way, and a fresh emphasis on live performance, Bruce Tantum speaks with the king about his incredible journey so far, and his determination to keep challenging himself
After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves
Inspired by the Midwest American raves that first got her hooked on dance music, Chicago’s Eris Drew wants to bring a psychedelic communal energy and...
A new crop of charity record labels has sprung up in the UK and France, donating their entire profitshare to worthy causes, and fighting poverty and inequality in...
Despite austerity hitting all but the most affluent, charity giving continues to rise. According to the Charities Aid Foundation’s annualUK Giving Study, British people donated a whopping £10.3bn to charity in 2017...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year has...
Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...