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Poker Flat's 'Forward To The Past' anthology is back for a third round, and it's as slick and club-ready as ever. The brainchild of legendary...

Back in June, DJ Mag headed to Bristol to review Alfresco Disco's 10 year anniversary party with Eats Everything, Bill Brewster and more. Now we've...

Universal Audio are a company that have a legendary reputation within the studio industry thanks to equipment like their Pultec EQs and LA-2A levelling amplifier...

Matta are a London based bass music duo, boasting solid releases and some more than prolific support in the form of names such as Bjork...

In a previous issue in DJ Mag Tech we saw how Ableton’s flagship production software, Live, has evolved into an improved powerhouse, with the new Version 9 release. However, not content with bolstering their software to be all-powerful, the guys at Ableton have added an extra dimension to the whole package. It’s obvious in their minds that software is not enough, and so exploring the next level seems like the logical progression.

Once upon a time DJs roamed the planet with boxes filled with enough vinyl to cripple a sherpa and synthesisers that were so big and heavy they required two roadies to wrestle them onto the stage. Fortunately, these days, all it takes is a laptop with a couple of controllers plugged into the USB ports to do the job. Korg have been around since the beginning of the electronic music revolution, and while once they were manufacturers of hardware behemoths, they have kept abreast of the times by releasing a wide range of products in both hardware and software formats, from bulky workstation synthesisers designed to live in a studio to their micro range of keyboards, which are the perfect size and weight to be taken on the road.

Starting out as a musical side-project of Berlin's digital arts festival Transmediale, CTM.13 looks forward to its 14th edition this month. Hinged on the theme The Golden Age, it'll use electronic expression to challenge contemporary conceptions in a constantly progressing world driven by mass media. Have we ever had it so good? Things ain't that simple...

Let's face it, Skullcandy don’t do anything by halves. Their headphone range is right in your face, and with this marketing approach they have definitely captured that Marmite feeling — you either love them or hate them, and that’s before using them in a clubbing DJ environment.

Anyone who has spent much time in DJ booths will have come across at least a few Rane mixers here and there, because let’s face...

Those industrious chaps at Pioneer have clearly been burning the midnight oil and working themselves into a sleep-deprived psychosis, judging by the amount of new...

Hercules 4-MX is the latest controller in the Hercules console range to be pitched squarely at the booths of the pro digital DJ market.  With...

French-based company MixVibes have been offering digital DJ software for the last 10 years. Originally launching with DVS time-coded systems, their latest product, the U-Mix...

Akai MPK Mini

In the not-too-distant past, the idea of a portable studio was a man in a van with a flight case of hardware...

Part of Ritchie Hawtin’s unstoppable Minus crew, Marc Houle has often tempered his productions with a cheeky sense of humour. On ‘Drift’, however...