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Launched in 2010 while he was working at A1 Records in NYC, Ron Morelli’s L.I.E.S. — or Long Island Electrical Systems — label has proven itself...

The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) has called for the official boycott of three German clubs – ://about blank...

Armin van Buuren has been revealed as the winner of the Highest Trance category in this year’s DJ Mag Top 100 DJs poll. Armin came...

The humble mixer is a staple part of any DJs set-up but there are a wealth of mixers in all shapes, sizes and prices to...

Mixers have come a long way since the basic models that consisted of a two-channel box with no EQ — just a simple conduit for...

Tell us in one sentence who you are and where are you from?
"I’m Scorsi, a producer and music aficionado from São Paulo, Brazil."

Where...

When you walk into a party at 3pm and it’s already packed full of hyped up people pushing their hands in the air with enough...

Poker Flat's 'Forward To The Past' anthology is back for a third round, and it's as slick and club-ready as ever. The brainchild of legendary...

Back in June, DJ Mag headed to Bristol to review Alfresco Disco's 10 year anniversary party with Eats Everything, Bill Brewster and more. Now we've...

Universal Audio are a company that have a legendary reputation within the studio industry thanks to equipment like their Pultec EQs and LA-2A levelling amplifier...

Matta are a London based bass music duo, boasting solid releases and some more than prolific support in the form of names such as Bjork...

In a previous issue in DJ Mag Tech we saw how Ableton’s flagship production software, Live, has evolved into an improved powerhouse, with the new Version 9 release. However, not content with bolstering their software to be all-powerful, the guys at Ableton have added an extra dimension to the whole package. It’s obvious in their minds that software is not enough, and so exploring the next level seems like the logical progression.

RBMA has just wrapped up another successful season in New York. DJmag went along stateside to join up with some of the guys and gals in the second session to discuss all things musical and to soak up the vibrant atmosphere in the Big Apple…

Once upon a time DJs roamed the planet with boxes filled with enough vinyl to cripple a sherpa and synthesisers that were so big and heavy they required two roadies to wrestle them onto the stage. Fortunately, these days, all it takes is a laptop with a couple of controllers plugged into the USB ports to do the job. Korg have been around since the beginning of the electronic music revolution, and while once they were manufacturers of hardware behemoths, they have kept abreast of the times by releasing a wide range of products in both hardware and software formats, from bulky workstation synthesisers designed to live in a studio to their micro range of keyboards, which are the perfect size and weight to be taken on the road.

Starting out as a musical side-project of Berlin's digital arts festival Transmediale, CTM.13 looks forward to its 14th edition this month. Hinged on the theme The Golden Age, it'll use electronic expression to challenge contemporary conceptions in a constantly progressing world driven by mass media. Have we ever had it so good? Things ain't that simple...