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2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...

Some years stand out for the bangers they produced, for the adrenaline-shot belters that shook festivals and club floors night after night, and never felt...

12 emerging artists you need to hear this September

The latest and greatest DJs and producers rising to the top this month. From bass-heavy techno and understated deep house to transportive ambient music and drum & bass here's September 2022's list of upcoming talent you should be keeping track of

DJ N.E.GIRL (Esther Wanyama) is not just a lethal weapon behind the decks, but a community-builder behind the scenes. Represented in sets for Keep Hush...

Norma Jean Bell LP cover

Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”

If you look in the ‘about’ section on Norma Jean Bell’s Facebook page, it says, simply, “I’m the baddest bitch in this room...” It's a...

Running the musical gamut from minimal techno to abstract hip-hop, dubstep to Baile funk, via ska, electro pop, house and Balearica, Sonar truly has something...

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Can Matt Edwards, aka Radio Slave, really do no wrong? Not content with simply knocking out the funkiest techno and most mind-twisting house with...

Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...

This is the fourth year that DJ Mag has presented the Alternative Top 100 DJs list in association with Beatport. In 2021, the genres included...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...