It’s just gone midnight and the dancefloor at Mossy’s, a two-floor nightclub above the Harbour Inn in Lowestoft, is heaving with life. Andrew ‘Richie’ Riches...
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Features
The dance music history of East Anglia is rich, multi-layered and messy — and little documented. Matt Anniss chats to some of the scene’s longstanding figureheads about the region’s airfield parties, seaside throwdowns and forgotten clubs, discovering a vital but rarely discussed stage in the UK’s rave evolution
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The single-focus charity aims to help people across the music industry as they continue to navigate the post-pandemic landscape
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An open letter by female:pressure also addresses the Magistrate of the City of Frankfurt’s alleged misrepresentation of techno’s origins
Features
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
News
The awards ceremony took place at Amsterdam ArenA on Saturday (20th October)...
Claptone has won the Highest House award in this year’s DJ Mag Top 100 DJs poll. The masked DJ/producer landed the No. 57 spot overall...
With a host of monikers and diverse productions to his name, DJ Pierre has driven the development of dance and is still at the forefront...
Phuture, Pfantasia, Phantasy Club, Photon Inc, Audio Clash, Darkman, Doomsday, P-Ditty, The Don… all past aliases for Nathaniel Pierre Jones, better known as DJ Pierre, the man credited with kickstarting a movement in 1987 with ‘Acid Tracks'. Although a seismic claim to fame, this happened over a quarter century ago, most recently reactivated on Terry Farley's monumental 'Acid Rain' box-set. But, since then, Pierre has continued to chart one of the most idiosyncratic paths in house music, undyingly committed to developing new sonic mutants to send crowds bananas on his punishing schedule of globe-trotting DJ gigs.
Bring the revolution! Stanton’s SCS 4DJ is an all-in-one funbox for the digital DJ
The Stanton SCS 4DJ got me excited when I was shown a pre-production model at Frankfurt earlier in the year. In fact, I was pretty...
Features
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Nigeria’s DJ Neptune spotlights his recent favourite Afrobeats, Afropop and amapiano tracks
Launched as a way of supporting artists and labels impacted through the coronavirus pandemic, DJ Mag started a weekly roundup of the most vital Bandcamp...
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Tech
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
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One down, 11 to go, with Honey Dijon's Full Fantasy, Hit & Run at Mayfield, 5 Years of Timedance
We can take solace in the fact a long and arduous January is over, but the real nocturnal work starts here, as the following goes...
Features
In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...
Features
Pirate Studios has given thousands of young producers and musicians affordable access to recording and DJ studios, encouraging collaborations, community and creativity. As an uncertain...
Features
Founded by Suraj Mandavia and Eugene Onyango, Kenya’s foremost Afro-house label, Gondwana KE, aims to take African electronic music where few have gone before. Alongside...