Search
Results for: Who's In Town
We catch up with the Danish Kompakt king to take a look around his studio and find out more about the gear behind his sound...
What did your studio look like when you first started?
Kölsch: "My first kit was an Amiga 500 and headphones. Made my two first records...
The high-energy drum & bass sub-genre is back... and in a very big way!
Jump-up — the bouncy, bassline-led strain of drum & bass — seems bigger than ever right now. DJ Mag talks to the leading playaz in...
The next Swedish sensation to rule the dance roost
The next Swedish sensation to rule the dance roost
DJ Mag trips out to the Lebanese capital, Beirut, to find out how the club scene has persevered and flourished despite years of unrest in...
When DJ Mag first mentions to our nearest and dearest that we’re headed off to Beirut, the majority of responses are that of concern. Lebanon...
Oslo's Sommerøya festival reveals an eclectic music and art scene bursting with top techno talent, set against a glittering Norwegian fjord...
Norway is the stuff of legends. It is a land made of mythical tales, where fiction and reality collide along blurred lines: Thor and Asgard...
Drum & bass futurists Blocks & Escher promised an album four years ago through Goldie’s Metalheadz label. Now it’s finally arrived, but what caused the...
Bust ups. Car park fist fights. Prison sentences. Vicious acrimonious splits resulting in major High Court settlements. Six-day self-finding mushroom binges in the Highlands. Tabloid...
Jack Revill's love affair with decks goes back to his days kicking about Glasgow...
Around the time his mum passed away, Jack Revill met Calum Spencer on Byers Road in Glasgow. “Are they real vinyl records?” he asked in...
DJmag.com catches up with the boys behind 'We Interrupt This Programme', one of the biggest dance tracks of the year.
Coburn are currently lighting up dance floors around the world with theirunique blend of house, breaks and rocky electro.
Their track 'We Interrupt This Programme'...
It's that time again
Voting has now begun for the DJmag Top 100 DJs 2008 – the world's best guide to the hottest DJs on the face of the...
We returned to Iceland for the second Secret Solstice festival — and found they’ve upped the ante, big style...
“You have to have a proper rave once in a while,” says Biggi Viera of native act Gus Gus one bright, sunny night in Iceland...
Taking to the controls in Sheffield
Sheffield has always been at the centre stage of the underground electronic music scene, spawning many of the cult electronic acts of the '80s such...
Tackling extraordinary challenges and pitfalls in his life, Detroit’s Robert Hood is a passionate advocate for the transformative power of electronic music. An ordained Christian minister, we meet him in Berlin after...
In the early hours of the morning on November 10, 1938, anti-Semitic rioting raged across Nazi Germany, in a pogrom that saw more than 100 Jews killed and 267...
Why are masks so popular in dance music?
“All great things must first wear terrifying and monstrous masks, in order to inscribe themselves on the hearts of humanity.” FRIEDRICH NIETZSCHE, Beyond Good and Evil...
With Miller Genuine Draft
There was a time when festivals were homogeneous beasts - a few tents in a green field was the most you could expect. These days...
Charting the rise from DJing at seminal Nottingham outpost The Bomb to his current role as the musical polymath behind Leftroom Records.
The slow burn. That has always been Matt Tolfrey's modus operandi. He's more concerned with foundations, with building a family of likeminded house heads around him rather than surrounding himself with people who can advance his career.