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DJ Mag talks his new LP as Deadstock 33s & scores a first listen. 

Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...

Dutch DJ/ producer Fedde Le Grand's tips for ADE

He might be best known for putting his “hands up for Detroit” but Dutch producer Fedde Le Grand also holds a torch aloft for Amsterdam...

Raw beats and sub-low rumbles mixed with sugary melodies are DJ Q's calling card.

Ten years ago, DJ Q released his first 12”, 'Love Like This'. The track was a bassline stomper, a grimy slab of sub-low and brutal...

London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.

“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”

DJ Mag join frontwoman Cata Pirata and the band in Amsterdam to find out what exactly spurs their voyages across the atlas...

From their Amsterdam base, Skip & Die roam the world looking for fresh sounds to inject into their raucous global bass 'n' beats. And with their debut album 'Riots In The Jungle', they're not afraid of stirring a little insurrection. DJ Mag join frontwoman Cata Pirata and the band in their home city to find out what exactly spurs their voyages across the atlas...

Brooklyn’s Ayesha blazes through a selection syncopated club sounds, thunderous techno and twisted breaks in her high-velocity Fresh Kicks mix, and chats to Eoin Murray...

Photo of a ravers at a free party in a tunnel

Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning

The quest is timeless. Swapping clues with randoms at services. The heartless pulse of the party-line’s engaged tone. The convoys, intrigue, suspense, rumours. The commitment...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...

Ever since the birth of acid house in the late ‘80s, UK dance music has been defined, legislated against and demonised on the basis of...

The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...

Ever since the late 1980s, UK dance music’s interactions with politicians, police officers and mainstream public opinion have been defined by suspicion, misunderstanding or outright...

Aluna George DJ Mag North America April 2022 cover

Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival

"I perhaps could have been a bit more cautious,” Aluna Francis — sitting in her downtown LA home, sunglasses perched upon her braided blue coif...

Yen Sung posing in an indoor archway of an emtpy club. A disco ball hangs behind her

For three decades, Yen Sung has been at the beating heart of Lisbon’s club scene. As a longstanding resident at Lux and its downtown predecessor Frágil, and as a producer of timeless house tracks, she’s rightly earned her legendary in Portuguese dance music. But as April Clare Welsh learns, she’s busier and more energised than she’s ever been. Alongside a thumping On Cue mix of pure dancefloor energy, she shares her story

Yen Sung was right down the front when Prince performed a one-off show at Lisbon’s Lux Frágil club in December 1998. “It was amazing. Especially...

Can you feel it: How Mr. Fingers ‘Ammnesia’ changed the house music experience

33 years after its release in 1989, Larry Heard’s debut album as Mr. Fingers is a profoundly moving document of timeless electronic music, brimming with tracks of unrivaled beauty from the then-young world of house

If you’ve ever wondered why Mr. Fingers — aka pioneering US producer Larry Heard — is so revered among house music aficionados (including, notably, Kanye...

Rhyw by Kasia Zacharko

Fever AM co-founder Rhyw steps up for the Recognise mix series, and chats to Eoin Murray about his forthcoming release, his childhood obsession with The Prodigy and the all-important element of surprise in his hallucinatory club music

Rhyw wants to surprise you. In his catalogue of warped, oddball techno, linear beats are twisted into unpredictable shapes. The Welsh-Greek DJ and producer –...

The Sound Of: Deep Jungle

Releasing both hidden gems from the old school and essential new-gen bangers, Deep Jungle has secured a reputation for buy-on-sight junglism. Alongside a mix representing the past, present and future of its catalogue, founder Harmony shares the secret of the label’s success with Ben Hindle

To say that Deep Jungle has become one of the jungle scene’s premier labels in under five years would be an understatement. Since pretty much...