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Since teaming up a couple of years ago, Mumdance and Logos have been smashing it. Their diverse backgrounds complement each other nicely, and now their...

'Sankofa' is both a word and symbol native to the Akan language of southern Ghana that stands for the notion that it is OK, in...

The Sound Of: Touching Bass

Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far 

“Touching Bass is a musical movement,” Errol Anderson tells DJ Mag. “And when I say movement, I’m thinking of forward movement — energy.” Alex Rita...

Nicolette 'Let No-One...' album cover

On 1996's ‘Let No-One Live Rent Free In Your Head’, Scottish singer, songwriter and producer Nicolette worked alongside 4Hero’s Dego, Plaid, Alec Empire and Felix to create an album that mixed jungle, trip-hop, industrial techno and avant-pop into a singular work full of sharp, incisive lyricism. Ben Cardew explores the legacy of the album, and its vision for the future of electronic music

In the modern world, it seems sadly inevitable that any female singer who experiments with dance beats will, at some point, be compared to Björk...

Turntablist and producer Jon1st delivers his annual end of year megamix via the On Cue series: a tempo-shifting set of hyped-up breaks, turbo-charged drum &...

 

DJ Shadow's debut album, 'Endtroducing.....', released via UK label Mo'Wax Records in 1996, presented abstract, instrumental hip hop as a worthy deviation from the...

Mo’Wax was undoubtedly one of the most important British record labels of the 1990s, showcasing a kind of retro futuristic approach to art, where aesthetic...

Ibiza Past is the Instagram account we all need in 2020

If 2020 has taught us anything, it’s never take things for granted. While many murmurs rumbled on in recent times around how Ibiza has lost...

In late April, travel restrictions due to the COVID-19 pandemic left Almad, a DJ from Athens who founded the PlayHouse party series — which has...

Life is full of challenges. Often, they’re not one you expected, nor hoped for. But rising to these challenges, in most cases, makes you stronger...

plugin subscriptions

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...

U K, G?: the electronic music collectives opening up conversations around mental health

Sticky Tapes, eott and Don’t Keep Hush tell Jack Ramage how they’re helping to shift perceptions around wellbeing in dance music

The stigma surrounding mental health has drastically changed over the last decade, with people beginning to realise how important it is to talk about their...

Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...

As 2019 drew to a close, Loraine James found herself at a crossroads. Buoyed by the success of her breakthrough album for Hyperdub, ‘For You...

An On Bast is a multi-talented Polish producer and live artist who creates exquisite astral techno on modular hardware. Her recent album, ‘I Create As...

Poland has a rich electronic music history. As far back as the ‘50s, if you tuned into the frequencies of the Studio Eksperymentalne Polskiego Radia...

London underground sign that reads ‘what is the future of London clubbing?’

Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?

It’s an early August afternoon in Tottenham, North London. Nestled on an unassuming industrial estate on Markfield Road, beautiful floor-to-ceiling record shelving is being assembled...

The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...

Ever since the birth of acid house in the late ‘80s, UK dance music has been defined, legislated against and demonised on the basis of...

Holding court with one of the UK’s most innovative electronic duos...

“Everything around you is so cluttered. If you go online and look at social media, it’s this big bombardment of stuff. I really wanted to...

We pick the brains of the Berlin-based tech producer, TJ Hertz...

Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...