Mo’Wax was undoubtedly one of the most important British record labels of the 1990s, showcasing a kind of retro futuristic approach to art, where aesthetic...
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DJ Shadow's debut album, 'Endtroducing.....', released via UK label Mo'Wax Records in 1996, presented abstract, instrumental hip hop as a worthy deviation from the...
Duo's debut album is out now...
Now that The Chainsmokers debut album is out, the U.S duo have taken to their Facebook page to breakdown the inspiration behind each track on...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
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Detroit's DJ Minx has been championing the electronic sounds of her hometown since day one, but has flown under the radar for much of her...
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It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
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Italy-based, Australia-born DJ and producer Nite Fleit has made her name with tough-as-nails electro, but her recently-released debut album reveals a more emotional side. Alongside a storming mix for the Recognise series, she speaks to Claire Francis about her formative years in Melbourne, her natural flair for DJing, and how making music helps with her ADHD
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Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test
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96 Back sprints across a spectrum of styles in his electrifying Recognise mix, and chats to Kamila Rymajdo about his early diet of Actress and post-punk, finding confidence...
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Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds
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Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
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South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
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On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
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As the UK looks toward the end of lockdown and the reopening of clubs and festivals, Giulia Bottaro speaks to nightlife workers from different parts...
The latest and greatest DJs and producers rising to the top this month. From high-velocity techno and house to psychedelic jazz and d&b, here's March...
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Working for free is rife among producers and engineers, with 77% having worked for free in the last 12 months alone. But is it just...