Skip to main content

Search


Results for: cover

LaylaB

DJ Mag has chosen as the Future Star for this year’s awards presentations. After a hectic 2022, her star looks set to shine even brighter next year and in many more years to come

“I'm unbelievably honoured, it's a dream come true!” says Layla Benitez when we inform her that she’s been awarded the Future Star award this year...

Get acquainted with Scotland-born, Berlin-based producer Dream_E, whose sound moves from blissed-out ambient to rave-ready breaks

Refuge Worldwide resident Stem whips up a vortex of percussive, experimental club music for the Fresh Kicks mix series, and chats to Niamh O’Connor about...

In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...

Clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our feet as a...

With their new album ‘Work A Change’ out now, the Ostgut Ton duo select the records that have defined their collaboration

Long-time collaborators and close friends, Steffi and Virginia have been back in the studio together. Both names are synonymous with Ostgut Ton; Steffi has been...

The unstoppable Swedish House Mafia - Axwell, Sebastian Ingrosso and Steve Angello - bring their power-house to their new Ibiza residency. And right now it...

Ibiza, Pacha, 4am, and a night that’s already hit dozens of precipitous highs is launching itself upwards to its dizziest high yet. The dancefloor is...

Neurodiversity in dance music lead feature image

Neurodiversity refers to a wide range of neurological conditions including ADHD, autism, dyslexia and Tourette syndrome. After being diagnosed with ADHD and suspected autism earlier this year, DJ Mag writer Harold Heath began to wonder: is there a particularly high number of neurodivergent people in the scene? Here, he embarks on a personal journey to try and understand the relationship between neurodiversity and dance music, and its wider relevance within the scene

I’m Harold Heath: music writer, former small-time DJ/producer, and life-long club culture fanatic. Earlier this year I was diagnosed with ADHD and suspected autism. Why...

One of the Internet’s most talked-about acronyms — which stands for non-fungible token — is redefining digital ownership. But could NFTs really revolutionise the music...

Most people’s first experience with NFTs most likely happened within the past few months. It was also, most likely, met with confusion. As GIFs of...

The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced

This year marked the 13th edition of DJ Mag's Best Of British awards, our annual celebration of UK talent. Positioned as a counter-balance to the...

Our new DJ Mag Originals video series, Meet the MC, launches today (4th March). As well as telling the stories of this crucial new wave...

Paradoxically, in 2021, starting out as a rap producer is both easier and harder than ever before. Easier, because young beatmakers have more tools at...

Amsterdam-based brit Paula Temple is renowned for her full-throttle hybrid performances and punky industrial productions, which have earned her wide respect across the techno scene...

It feels like our world is right on the edge. Climate change is looming exceedingly large, threatening our entire species in ways we often have...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

The Lost Acid House Membership Cards

A new book collects the most prized of all rave memorabilia: the membership card. Filled with classic design work, it’s a window on a transformative era. Collector and compiler Rob Ford tells DJ Mag about how the project came together, while DJs and designers share their memories of the time

“It’s almost like drug dealing,” laughs Rob Ford, a 52-year-old author and music producer, who spends his evenings meeting strangers in car parks and exchanging...

Marco Faraone

Ahead of his appearance at DJ Mag’s Miami pool party, we chatted with the Italian DJ and producer about his journey in dance music and his approach to DJing

It is a relaxed, happy and enthused Marco Faraone who chats to DJ Mag via Zoom from a sunny terrace at his parents' house in...

Dennis Ferrer press shot

The New York house stalwart got into fishing during lockdown, a new hobby that brought more serenity and balance to his life while his studio was out of action for a year and a half. Now, he's ready to hit South Beach for our Miami Pool Party

The idiom ‘gone fishing’ means to take a break from the everyday or be totally unaware of what is going on around you. Both of...