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We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

Julio Bashmore is all about contradiction. He’s been championed and attacked by the underground and the mainstream in equal measures, his hooky, earworm melodies drawing...

Teije van Vliet’s alter ago, Lenzman, is having a hard time getting to the United States. The 36-year-old Dutch DJ/producer, who is releasing his debut...

It's impossible to overstate The Hague's impact on dance music. In the early '90s, this small city in northern Holland crafted a bastardised version of the sounds bubbling out of Detroit, a ravey mash of jacking house and techno that, at the time, sounded almost impossibly futuristic.

Detroit-born Kris Wadsworth talks to us about Plastikman, giving up drink and drugs, still playing vinyl in a digital age, and making more fucking tracks for labels like Hypercolour, Morris/Audio, and Get Physical from his adopted city of Berlin...

As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.

Trap is the slow-rolling, synth-heavy, snare-snappin' sound that's swept underground dancefloors and stadiums alike across the US and Europe. But what is trap? Is it a genre of its own? Where does it come from? Why's it so popular — and why's it hated in equal measure? Does it have a future? Danna Takako investigates...

Despite austerity hitting all but the most affluent, charity giving continues to rise. According to the Charities Aid Foundation’s annualUK Giving Study, British people donated a whopping £10.3bn to charity in 2017...

From a devotee of Detroit to becoming the leading light of the Dutch underground scene, Joris Voorn’s ascent has been as methodical and measured as...