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Pirate Studios has given thousands of young producers and musicians affordable access to recording and DJ studios, encouraging collaborations, community and creativity. As an uncertain...

Since 2010, the UK has seen a decimation of local authority culture and arts budgets, with almost £400m being stripped out of annual spending since...

The roaring 20s are back, and mean serious business with Origins, Call Super's White Hotel takeover and Beat Horizon in Bristol... 

New year, new decade, same deal here — the finest soirees, sessions and sweatboxes across the UK. So let’s go get 'em. 

London and the...

Another month sorted... 

These are the Top 30 UK club events in April 2018— a list we compiled despite destractions plucked straight from the pages of John le Carré spy...

Audio-visual artists have always played a vital role in shaping the distinctive aesthetic identity of electronic music. In the evolution of analogue slide projectors to...

@smithandlyallAdam Smith & Marcus Lyall are the London based creative duo behind The Chemical Brothers’ live shows and music videos, combining digital methods with real-life...

Fresh Kicks 181: FILM

New Delhi's FILM records a peak-time mix of broken techno and bass-heavy garage for the Fresh Kicks series, and chats to Joe Roberts about his cinematic debut album on Qilla Records, and elevating the new wave of Indian electronic musicians

“There’s definitely something bubbling under in India,” FILM, aka New Delhi producer, DJ and promoter, Sanil Sudan, tells us when we catch up about his...

jamal_edwards

The SBTV founder will become its youngest-ever and only posthumously-awarded recipient

SBTV founder Jamal Edwards is set to be honoured with a posthumous award. The Luton-born and Acton-raised entrepreneur, director, DJ, author and designer, who died...

Photo of Aletha in a metallic blue-grey Jersey standing next to a wooden wall

With a mix of minimal thumpers, trippy techno and deep, driving acid, Manchester’s Aletha steps up for the Fresh Kicks series, and speaks to Claire Francis about the formative influence of multi-genre festivals like Dimensions, her CITRIC party, and more

There’s something thrillingly addictive about Aletha’s sets. It’s partly due to the Manchester DJ’s propensity for zingy acid and electro cuts, but it’s also the...

Glasgow's EzUp resident Jay Celino moves seamlessly from house and breaks into techno and electro in his Fresh Kicks mix, and speaks to Amy Fielding about...

The Animal Language boss opens up...

From his breakout, chart-topping track, ‘Exceeder’, to his more recent 'Nite Rite' series and café crawl concept, Dutch producer Mason has endured a production and...

“For twelve weeks, this city is ours”...

The Warehouse Project has revealed the full 12-week programme for its last ever season at Store Street. You can see the line-up below.

Kicking off...

New Order's Gillian Gilbert on being away, bringing the disco back, the whole ‘Hooky thing’ and Christmas at the Gilbert-Morris home.

One night in Manchester, England in 1980, 19-year-old keyboardist/guitarist Gillian Gilbert hitched a ride with boys in a fellow band: drummer Stephen Morris and the...

Massive Mason Competition

Any collaboration between DJMag's favourite fruit-loop Roisin Murphy, ex of Moloko, and electro dons Mason, aka Iason Chronis and Coen Berrier, was always...

The Warehouse Project returned for its final year at its “spiritual home” of Store Street last weekend. DJ Mag’s deputy digital editor Rob McCallum looks...

The UK club scene has changed hugely since the mid-noughties. The End is gone. As are The Cross, Turnmills, The Arches, Sankeys and countless more...

Street-hop is a sound from Lagos, Nigeria that mutates as it moves between different neighbourhoods; creating new beats, themes and dance crazes as it goes...

Lagos is a city that never sleeps. Home to roughly 15 million people, the coastal megacity and economic capital of Nigeria is always on the...

Mason 'Exceeder' album cover featuring a wrestler in a mask and cape

When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story

“You might go to the same restaurant many times, but do you always order the same dish?” grins Iason Chronis, the artist most commonly known...