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Around the time his mum passed away, Jack Revill met Calum Spencer on Byers Road in Glasgow. “Are they real vinyl records?” he asked in...

It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...

David Guetta might just be the most divisive figure in modern day electronic music. To his legions of fans around the world, however, the charming...

Here’s what sucks about hanging out with Nile Rodgers in the newly-opened Hard Rock Hotel Ibiza: the resort is so new to the White Isle...

Over the coming months Portuguese producer and DJ, Rui Da Silva, is working on three exciting and evolving projects. One will be his own forthcoming...

Alex Ridha, aka Boys Noize, is putting the finishing touches to his latest EP ‘Go Hard’, a racy solo six-tracker coming out on his self-named label. He recently celebrated its 100th release with remixes of BNR100 by the Chemical Brothers and Justice. And by the time you read this he’ll have performed at this summer’s Glastonbury festival — twice.

The Hotflush boss swapped the grimy innards of basement clubs for the cavernous realms of The Forum for his latest live show...

Not one but two reasons for Ableton users to be cheerful have been announced from the company’s German headquarters in the form of Live 9 along with a rather intriguing controller called Push. Not content with just improving their hugely popular Live software, for their latest incarnation, Ableton have also found the time to get teamed up with Akai to create a new Push controller specifically to control Ableton. It looks like they might have created the perfect Ableton controller in the process.

As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.

“All great things must first wear terrifying and monstrous masks, in order to inscribe themselves on the hearts of humanity.”
 FRIEDRICH NIETZSCHE, Beyond Good and Evil...