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 On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...

Speaking to Sicaria Sound, aka Ndeko and Imbratura, you sense the camaraderie that unites them as friends and as a DJ duo, pushing the sounds...

It's time to wipe the slate clean, sort of. The champagne is on ice, the days have been booked off work. All you need to...

While 2019 refuses to go quiet into that good night — check this month’s top UK club picks for proof — some of us have...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...

Anz tracks are like rogue fireworks: fusions of UK funky, electro and ghettotech, with flourishes of R&B, grime, and dancehall; all underpinning a versatile take...

E1 NYE, Canal Mills NYD, Patterns, Motion, Resonate x Space Lab and La Cheetah Club... 

Anyone would think it was Christmas, what with the current vibe— mayhem, chaos and hopes pinned on wish-list dreams. Brexit aside, here are the top...

Detroit drum & bass aficionado Sinistarr steps up with a killer hour of ecstatic footwork, jungle and jolting, bassy rhythms. We catch up with a...

Sinistarr has been at the helm of Detroit’s d&b scene for a decade now. In that time, the prolific DJ/producer – real name Jeremy Howard...

Another month sorted... 

These are the Top 30 UK club events in April 2018— a list we compiled despite destractions plucked straight from the pages of John le Carré spy...

Another month, another essential selection...

It's not that we didn't have an awesome time in January, but, let's face it, a year only ever gets better once the first...

Get the lowdown on this year’s Miller SoundClash headliner

 

Dutch DJ/producer Dannic is making the world's biggest clubs and festivals shake with his masterful blend of funkier house grooves with EDM bombast. Now...

Bicep on their production process and much more

Since starting their infamous blog, Feel My Bicep, Andy Ferguson and Matt McBriar, aka Bicep, have become dancefloor heavyweights known for their impressive record collections...

Marquee resident and EDM A-lister speaks out

Las Vegas’s dance music gold rush has seen buzzword clubs flip quicker than a winning hand at a hot table. But it’s Marquee Nightclub and Dayclub that’s gobbled up more column inches than any other. That’s down in no small part to the Who’s Who of DJ residents they’ve brought in. That, in clip-note form, is what’s brought us here today: a sit-down and pow-wow about Marquee, the universe and other things with one of their resident elite. Step forward Jeffrey Sutorius, DJ, frontman, mouthpiece and best-known-face of trance trio Dash Berlin. And a man it transpires that, like Las Vegas, has seen some boom and bust of his own.

Brooklyn's underground electronic duo Blondes are back with a new album, laced with dark techno tones and hypnotic psychedelic edges. With all eyes on NYC...

When various music circles started buzzing in early 2010 about a Brooklyn duo that fused elements of the American jam-band aesthetic with ecstatic trance, we approached with due caution. Fast-forward over the past three years and, what could have potentially gone so wrong has gone so right.

A true jungle soldier

Congo Natty has a rich history of involvement in the music scene for the last 25 years. Formerly known as the Rebel MC, he had chart hits such as 'Just Keep Rockin'' and 'Street Tuff' in the late '80s with the Double Trouble production kru before hankering down into — and helping to pioneer — the early jungle scene.

Budget banger

Denon’s new controller the DJ MC2000 is going to make a superstar DJ out of you but won’t break the bank in the process…

German producer Kris Menace — famed for his huge, filtered and electro-funkin' house — has collaborated with a string of singers for his latest album...

“I love listening to a cool techno DJ, in a club, but if you go and see Swedish House Mafia DJ, for example, there’s no artistry involved. They are just getting behind the decks, with a finished CD, and pressing play then putting their hands in the air. This is something that is so wrong, because they get paid so much money for that.”