There’s lots of smiles and laughter when DJ Mag speaks to Alysha Fleiter, and the 34-year-old Australia born, newly Italy-based DJ and producer certainly has...
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It took decades and many mutations for dance music to develop into the genres we know today. Here's what happened before DJ Mag was born...
“In the beginning there was Jack... and Jack had a groove!” So the old Mr Fingers track goes, but of course music made for dancing...
In an exclusive adaptation from his new book on the ever-so-slightly eccentric Godfather Of Funk, KRIS NEEDS looks at George Clinton's influence on the electronic...
George Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as among the most visionary and influential black music pioneers to emerge from the...
Brooklyn, NYC duo Wolf + Lamb aren't just a DJ/production outfit. They're a movement, a label, a club, and extended family of like-minded artists, offering...
Few artists inspire a devotion bordering on the religious. But the gospel according to Wolf + Lamb has already spread far and wide, their near...
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Italy-based, Australia-born DJ and producer Nite Fleit has made her name with tough-as-nails electro, but her recently-released debut album reveals a more emotional side. Alongside a storming mix for the Recognise series, she speaks to Claire Francis about her formative years in Melbourne, her natural flair for DJing, and how making music helps with her ADHD
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Drawing influences from rock music, weird films and the “creepier side”, TeeZandos is upending expectations of what a drill MC can be. With her star...
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Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
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The latest and greatest DJs and producers rising to top this month. From tough techno and sun baked house to icy UK rap, breaks and...
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An hour of gritty disco, rusted house and shrouded breaks from The Cyclist. We catch up with the Tape Throb innovator to talk punk, lo-fi...
Nothing sums up the work of The Cyclist quite like the name of his most recent EP. ‘Boards of Chicago’ was released via Italian label...
DJ Fresh has had a life of vertiginous highs and crushing lows — from his time in drum & bass supergroup Bad Company, to having No.1...
DJ Fresh still vividly remembers where he was the moment he knew his health was in trouble. “I was sitting in traffic on the Hammersmith flyover, driving home from the...
With a mix about to drop in Fabric's celebrated series, DJ Mag joins Alan on the road...
We’re standing behind the booth, staring at an endless sea of Glaswegians bathed in strobes — baying for more. Or that’s what it sounds like...
The past, present & future of the most important festival in the Balkans...
Exit isn't a festival, it's a movement. Held each year in a gargantuan fortress that sits atop Serbia’s second capital of Novi Sad, Exit is...
DJ Mag delves into the history of dance culture’s Woodstock...
In 1992 there was a festival in the UK that changed the course of dance music history. A culmination of the acid house explosion, it...
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A new initiative, started by the founder of Love Parade, aims to have Berlin's techno scene recognised as a cultural practice, supported and preserved by...
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Mixing elements of jazz and ambient with drum & bass, LTJ Bukem’s now-classic 1996 release via Good Looking Records was a statement of intent, and remains one of the genre's most fulfilling and impactful releases to this day
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In collaboration with AZ Magazine, a publication for LGBTQ+ Black people and people of colour, writer Isaac Eloi highlights the importance of spaces that support...