Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...
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Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.
Features
The latest and greatest DJs and producers rising to the top this month. From hard-hitting techno and soulful house anthems to ravey post-punk bangers, here's June 2022's list of upcoming talent you should be keeping track of
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The latest and greatest DJs and producers rising to the top this month. From found sound turntablism, techno and two-step to experimental soul and glossy...
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The UK drum & bass scene has become overwhelmingly male and white. DJ Mag's Becca Inglis speaks to artists, promoters and label owners who are...
Features
Berlin’s techno superstar Paul Kalkbrenner is back with a new LP that pays tribute to the city’s halcyon early rave days. We find out more...
Berlin is a city that’s always maintained an uneasy relationship with celebrity culture. It was here that David Bowie went to get away from the...
DJ Fresh has had a life of vertiginous highs and crushing lows — from his time in drum & bass supergroup Bad Company, to having No.1...
DJ Fresh still vividly remembers where he was the moment he knew his health was in trouble. “I was sitting in traffic on the Hammersmith flyover, driving home from the...
The original electro sound has been seeping back onto dancefloors, whether in the sets of DJs like Helena Hauff and Nina Kraviz or mix-comps by...
Electro inspires a fervid following. The genre is a bubbling underground scene populated by dedicated labels, DJs and diverse producers, scattered across the world, and...
With the festival phenomenon showing no signs of slowing down, there’s something on offer for everyone in the UK this season...
With his latest album, the artist proves his genre-defying feats have only just begun...
Alexander Ridha loves sound. He uses the word 45 times in 62 minutes of conversation. That’s once every 82 seconds, if you’re counting. “My...
Steve Aoki is the EDM superstar that fans adore and haters love to hate.
He’s built a musical empire on DiY ethics, hard work, punk rock drive and lots and lots of cakes. As he prepares to headline the...
Magda talks women in dance music, new event series PERM and her just-launched tequila brand...
Words: DANI DEAHL Pics: CORNELIA THONHAUSER & LEANDRO QUINTERO
Another year, another fantastic Outlook!
Every year, 16,000 or so bass music fans make the pilgrimage from all over the world to a small coastal town in Pula, Croatia for...
The parties not to miss at ADE 2014
Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...
We chat to the UK dance king Eats Everything
Dan ‘Eats Everything’ Pearce is massive. Not just in stature (much as he likes to take the piss out of his occasionally generous girth), but...
Signed to Digital Soundboy, stepping into Annie Mac’s shoes, and getting ready for a crazy summer of festival appearances, B.Traits explains how a Canadian country...
In the music industry there are two types of meteoric rise. One is a scary, Susan Boyle-shaped process, where the basking lizard kings of pop pluck an unknown, polish them dumb, tell them what their new name, hairstyle and personality is, and thrust them mercilessly into the light, there to cavort for our pleasure.