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It’s late July 2017, and the middle of a summer that’s seen Oshana cement her place as a leading light in the new wave of...

London welcomed a new chapter in its clubbing history when Printworks opened last weekend.

The monstrous new multi-room, multi-purpose venue in Canada Water saw Seth...

As we ready ourselves for a night of techno at Berlin’s Tresor with international female collective female:pressure, halfway ‘round the world, known misogynist Donald Trump...

Something magical happened at the Pyramids on Friday, Sept. 11; Egyptian trance legends Aly & Fila played the biggest show of their lives at the...

It may seem like one of the biggest cliché’s when it comes to event write-ups but for this year it is most definitely true when...

SpectraSoul have a reputation that’s second to none. A staple in the drum & bass scene for close to a decade, the duo are set...

Rich, luscious, gorgeously multi-layered techno and house. Pumping and searing through the Balearic night. Gripping our senses and tugging us deeper onto the dancefloor. We're...

Dada Life is all smiles after their latest Dada Land: The Voyage day festival in San Bernardino, where the nonsensical duo have rolled out the...

All Roads is a collective of music producers, DJ's, visual artists, videographers, photographers and a record label. Envisaged by K-aze, aka Lemon D of legendary...

With skies as gloomy as their tunes, The xx took to Hatfield House for a not-so-XXL day festival...

As one of the final dates in the festival calendar, the latest addition to Croatia’s coastal party scene has promised a fine coda to the summer since its mouth-watering lineup dropped at the start of the year. Held in the same spot as older sibling Outlook, which celebrated its fifth year the week before Dimensions opened its doors, it’s been billed as a more highbrow offshoot – in place of Fat Freddy’s Drop on the lineup stands Nicolas Jaar, Skream gives way to Carl Craig and there was nary a New Era cap in sight.

To the uninitiated, Groove Armada's return to making underground house music might appear something of a change in direction. It is, of course, nothing of the sort. Andy Cato and Tom Findlay have found themselves, thanks to a solid decade of commercial success, stuffed clumsily into all manner of pigeon holes; from dance-pop to pop-dance to chill-out to stadium-dance to ragga-dance and any number of other sub genres you might care to mention.

“Here's Johnny!” growls a demented Jack Nicholson in what's considered, in this correspondent’s mind anyway, the most psychologically disturbing film ever made. Nope, we haven't...

At the end of May during the bank holiday, some people threw a party. No big deal, just a few thousand people dancing next to...