On the face of it, ‘Romanworld’ looks like a pretty conventional electronic music album. Released in 1996 by UK indie Azuli, it rounds up 12...
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We meet the Indian DJ causing a riot...
The fortunes of Niles Hollowell-Dhar, aka KSHMR (pronounced ‘Kashmir’), have skyrocketed since he adopted his chosen moniker, with a nod to his Indian heritage. The...
The German producer reflects on his plight to becoming the in-demand DJ he is today and the importance of keeping true to what he most...
“Actually, this is one of my most productive years so far.” Thomas Gold smiles broadly into the camera, his face framed by simple, black-rimmed...
The out-of-the-box big beat anthem from the Wall Of Sound act Propellerheads
Based in Bath in south-west England, near musical hot-spots Glastonbury and Bristol, Alex Gifford had some quite varied early musical experiences. He played sax with...
The latest, biggest and most epic addition to Brazilian's vibrant clubbing scene, Green Valley might just be the best outdoor club we're ever likely to...
Whoever said that travel broadens the mind probably wasn't thinking of times like this, but it's certainly stretching any previous conceptions of what outdoor clubbing...
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Best known among dance music fans for collaborating with Daft Punk on ‘Discovery’s ‘One More Time’ and ‘Too Long’, Romanthony's ‘Romanworld’ found the US producer's...
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The latest and greatest DJs and producers rising to the top this month. From fiery percussive club music and techno to celestial synths and deep...
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Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
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With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music
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Ben Cardew looks back at how Louie Vega and Kenny “Dope” Gonzalez’s rapturous 1997 homage to their musical roots
After decades connecting the dots of disco, the timeless Nile Rodgers unearths Chic music of the past to create a future where his sounds will...
“What’s up, baby?” Nile Rodgers answers the phone in arpeggio. For those who have never partaken in a conversation with the storied band Chic’s co-founder...
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Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...
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In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings
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DJ Mag heads to Belfast to take a tour around the hometown of rising DJ/producer Richie Blacker, whose music has appeared on labels like Skream's Of Unsound Mind and Anjunadeep
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London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live