Skip to main content

Search


Results for: gallery

A shot from AUDRA festival in Kaunas featuring Caterina Barbieri's synth performance in a tower-like hall

From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders

Pergalė is a sprawling industrial complex in a forgotten corner of central Kaunas, Lithuania’s modest-sized second city. A gated entrance obscures interior yards from view...

Unorthodox Events and Queer Rave are two club-nights that are creating new spaces for LGBTQ+ people in the drum & bass/jungle scene. Jack Ramage speaks...

The UK drum & bass and jungle scene lacks queer visibility. While issues like gender diversity and whitewashing have, in recent years, become the focus...

Daft Punk have taken on a robot form for so long that it's hard to remember a time that they didn't don their famous helmets...

No matter how many times they told it, the story of Daft Punk’s transformation into robots around the time of Discovery’s recording didn’t get any...

On Cue: Warlock

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...

With his new album, ‘Fragments’, on Ninja Tune, English electronic musician and DJ Bonobo has delivered his strongest, most versatile album since 2010's 'Black Sands'...

Sat on a sofa in the Ninja Tune offices, somewhere in Kennington, South London, Simon Green, aka Bonobo, is pondering the question of why his...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...

A mainstay in London’s underground scene for a hot minute — specifically a decade — KG aka Karen Nyame aka “The Rhythm Goddess” is a...

12 emerging artists you need to hear this

The latest and greatest DJs and producers rising to the top this month. From UK rap fusions and politically charged electronic experiments to lush vocal house and colourful bass, here’s here's March 2022's list of upcoming talent you should be keeping track of

Scottish rap DJ and producer K4CIE has been carving out a lane for herself that’s distinctly female-focused. Setting up the women-celebrating club nights PEACH and...

Francesca Lombardo may have a background in classical, but it’s as a techno and house DJ that she tours the world. Ahead of her debut...

First thrown into the global spotlight in 2011 as Crosstown Rebels’ “first lady”, Francesca Lombardo has, over the last seven years, confirmed her standing in...

Pumping out chart-topping dance anthems since he was 19, Alesso solidifies his headlining stature with debut album ‘Forever’. Now 23, the mega-producer discusses his evolving...

Here’s a fun fact: the peak of the northernmost cliff in Europe, Kebnekaise MoHuntain in Alesso’s native Sweden, has the highest fixed point in the...

With the festival phenomenon showing no signs of slowing down, there’s something on offer for everyone in the UK this season...

We chat to the UK dance king Eats Everything

Dan ‘Eats Everything’ Pearce is massive. Not just in stature (much as he likes to take the piss out of his occasionally generous girth), but...

ESG logo

When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story

One day in 1979, a young Renee Scroggins imagined what it would be like if a UFO landed in the housing projects of the South...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

rj

After the 2014 release of ‘1021,’ London-born, Toronto-raised, and LA-based artist Rochelle Jordan went through years of business and health-related difficulties, finally coming out the other end with last year’s emotion-drenched ‘Play With The Changes.’ A new remix album, featuring brilliant work from DJ Minx, Byron The Aquarius, Machinedrum and other notable acts, lifts Jordan’s theme of rejuvenation into a thrilling new phase

Rochelle Jordan is sitting in her car, the AC whirring in the background. It’s the tail-end of LA’s latest heatwave, and though you wouldn’t know...