Rhyw wants to surprise you. In his catalogue of warped, oddball techno, linear beats are twisted into unpredictable shapes. The Welsh-Greek DJ and producer –...
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Fever AM co-founder Rhyw steps up for the Recognise mix series, and chats to Eoin Murray about his forthcoming release, his childhood obsession with The Prodigy and the all-important element of surprise in his hallucinatory club music
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Producing under the alias Renegade, Ray Keith delivered an instant classic in 1994's ‘Terrorist’, one of the most recognisable jungle tunes of all time. Its thumping chopped...
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On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped and adapted the world of electronic music, both...
Marlon Hoffstadt’s ethos when it comes to the club is pretty simple. Turn off your phone, savour the moment, communicate through the music on the...
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From their Berlin creative hub, production duo Âme — who made the evergreen house classic ‘Rej’ — talk about their record shop, distribution arm and...
Kristian Beyer and Frank Wiedemann, better known as Âme (that's pronounced 'arm', for the record, not 'ahh-may') often refer to their relationship as being like...
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When Dax J made worldwide headlines last year for dropping an Islamic call to prayer sample during his set in Tunisia, it looked for a minute...
'Public indecency and offending public morality'. Before April last year, those words probably meant about as much to Dax J as his name did to...
DJ Mag Ibiza's cover star Carl Cox opens up...
Put simply: Carl Cox is the man. He's been the island's top dog for close to two decades, plus running respected techno imprint Intec Digital...
We love Amsterdam, especially when essential industry conference ADE — the 20-year-old Amsterdam Dance Event — and our mega-enormo Top 100 DJs party are taking...
Whether industry hack, diehard dance fan or something in between, there's little doubt that Amsterdam Dance Event is a must-do. Kicking off every October in...
DJ Mag talks to Dave about the track series that propelled him to stardom...
We’re outside the Dylan Hotel in Amsterdam, the night after Dave Clarke’s sell-out ADE party. Your DJ Mag hack is somewhat the worse for wear...
Marc Houle on his sixth studio album, 'Cola Party,' which is out now
If there's one theme that fills Canada-born Marc Houle's life, besides music, it would be his affinity for fun. When we catch up with him...
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Julia Toppin selects 10 essential documentaries that paint a portrait of 30 years of jungle drum & bass, charting the stories of its origins to...
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As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...
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From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
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Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival
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How Nicolette's ‘Let No-One Live Rent Free In Your Head’ mapped the future of electronic songwriting
On 1996's ‘Let No-One Live Rent Free In Your Head’, Scottish singer, songwriter and producer Nicolette worked alongside 4Hero’s Dego, Plaid, Alec Empire and Felix to create an album that mixed jungle, trip-hop, industrial techno and avant-pop into a singular work full of sharp, incisive lyricism. Ben Cardew explores the legacy of the album, and its vision for the future of electronic music