Skip to main content

Search


Results for: gig

Xavier de Rosnay & Gaspard Augé speak up...

The analogue synth craze is out of control. It’s hit its apex with SURVIVE’s John Carpenter-style soundtrack to Netflix sci-fi show Stranger Things. Now everyone’s...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

Get your free Halloween blowout here

A FEW WORDS FROM CLAPTONE...

“What time is it and where am I?” These are questions I find myself asking repeatedly lately. Yesterday, I flew...

We sit down with the Dutch Metalheadz producer...

Teije van Vliet’s alter ago, Lenzman, is having a hard time getting to the United States. The 36-year-old Dutch DJ/producer, who is releasing his debut...

We talk to DAM FUNK about musical evolution, how music can offer escape, and Los Angeles' distinctive sound...

 

Amen, hallelujah and you’re absolutely goddamned right: Damon G. Riddick AKA DAM FUNK is spot on in both his diagnosis and proposed curative to...

MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...

“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” 
Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.

DJ Mag speaks to the club night’s key figures and plots the history of what may just be the final bastion of the acid house...

Maintaining the perfect blend of old skool rave and the finest contemporary leftfield sounds, as well as attracting one of dance music’s most passionate crowds, this year sees Bang Face celebrate its 10th anniversary.

The Bristolian bass merchant speaks out on his late success, and his plans for the Miami 2013!

The last 18 months have seen Bristol’s Eats Everything seemingly come from nowhere to land international success as a DJ and release a string of well-received productions on top labels such as Dirtybird and Pets Recordings. As he prepares to play at one of DJ Mag’s renowned Miami parties at WMC, he talks candidly about Transatlantic crowd-pleasing, his upcoming raft of collaborations and how his success has, in truth, been anything but overnight...

From disco through to freestyle, Miami bass, hip-hop, tribal, tech and Latin house, Miami has always had a rich and vibrant club scene. 
 Prior to...

"In Miami, dance music has always been about the drums, whatever style of music it is," grins DJ Oscar G, one half of Murk, co-owner...

We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...

For a glimpse into drum & bass future, you need to look at Invicta Audio. Founded as an event, Invicta had such a strong following...

Photo of Cakes Da Killa sitting on the floor in an orange room

Cakes Da Killa’s sound is always evolving — and his new LP, the jazz-kissed ‘Black Sheep’, is the latest step in the NYC-based rapper’s musical maturation. Produced alongside his longtime collaborator Sam Katz, it might be his best yet. Bruce Tantum learns more

Rashard Bradshaw has always had a thing for the power and the beauty of words. “I loved reading and I loved poetry, just poetry in...

re:ni poses in a forest wearing a black blue and red racing jacket

In-demand DJ and radio host, producer of sound system shakers for labels like Timedance and Ilian Tape, promoter and label co-founder at re:lax, Lauren Bush, aka re:ni, has become a seemingly unstoppable force in UK club music through a combination of hard work and self-belief. Alongside a pulse-quickening Recognise mix, she speaks to Jasmine Kent-Smith about formative club experiences, the importance of role models, and the pursuit of authenticity

When Lauren Reni Bush was a child, she wanted to become a vet. Back then, she lived in a village outside of Dorchester, a market...

Rhyw by Kasia Zacharko

Fever AM co-founder Rhyw steps up for the Recognise mix series, and chats to Eoin Murray about his forthcoming release, his childhood obsession with The Prodigy and the all-important element of surprise in his hallucinatory club music

Rhyw wants to surprise you. In his catalogue of warped, oddball techno, linear beats are twisted into unpredictable shapes. The Welsh-Greek DJ and producer –...

The Sound Of: Deep Jungle

Releasing both hidden gems from the old school and essential new-gen bangers, Deep Jungle has secured a reputation for buy-on-sight junglism. Alongside a mix representing the past, present and future of its catalogue, founder Harmony shares the secret of the label’s success with Ben Hindle

To say that Deep Jungle has become one of the jungle scene’s premier labels in under five years would be an understatement. Since pretty much...

Meshing dancehall, dub, techno and industrial, Bristol’s Bokeh Versions label has carved a unique niche in the UK underground  Alongside a 100% Bokeh mix recorded...