The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
For his debut album, he's zeroed in on his musical passions to create something that sums up his musical personality to a tee...
Julio Bashmore is all about contradiction. He’s been championed and attacked by the underground and the mainstream in equal measures, his hooky, earworm melodies drawing...
DJ Mag chats with international superstar Fei-Fei, who proves that dreams can come true...
As police sirens ring in the distance and a pink sunset spreading its vapors over the Los Angeles skyline, Fei-Fei embodies urban royalty and creativity...
We catch up with the Detroit-born Kris Wadsworth
Detroit-born Kris Wadsworth talks to us about Plastikman, giving up drink and drugs, still playing vinyl in a digital age, and making more fucking tracks for labels like Hypercolour, Morris/Audio, and Get Physical from his adopted city of Berlin...
Gomma Records’ boss Munk has hooked up with some of the world’s hottest underground female vocalists for his new production album. DJmag finds out more...
“I like my jeans to be dirty and I like my music to be dirty too,” says Munk, aka Mathais Modica, co-owner of experimental dance...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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The latest and greatest DJs and producers rising to the top this month. From bass-powered techno, breaks and electro to digicore and synth-scored house, here's...
Features
Last weekend, AVA festival returned to Belfast. Despite venue closures and ongoing restrictions across Northern Ireland, the event went ahead outdoors in a brand new...
Prolific UK DJ and producer Mani Festo records a thunderous two-hour mix of rave futurism and hardcore nostalgia for the Recognise series, and speaks to...
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MHYSA’s thought-provoking work looks toward a post-binary, post-male-dominated future. It’s also some of the most atmospheric, beautifully immersive music around
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Bristol-based Brazilian S.P.Y has just made the album of his career by looking back to early jungle. But as he explains, his recreation of the...
Everyone’s a junglist these days aren’t they? You’re a junglist. Your dear old dad’s a junglist. Even that nice little old lady next door and...
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Drum & bass futurists Blocks & Escher promised an album four years ago through Goldie’s Metalheadz label. Now it’s finally arrived, but what caused the...
Bust ups. Car park fist fights. Prison sentences. Vicious acrimonious splits resulting in major High Court settlements. Six-day self-finding mushroom binges in the Highlands. Tabloid...
Features
With its high-energy beats, infectious dance routines and community ethos, Jersey club has become a global phenomenon. Tice Cin reports from New Jersey on some of the people pushing the sound forwards, the special moments they create, and their hopes for the future of the music
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Sully celebrates the infinite potential of the breakbeat in his thrilling On Cue mix, and chats to Oskar Jeff about his new release on 2...