The sound palette of London-based producer Tom Jarmey transcends several genres. Jungle, ambient, techno and cinematic soundscapes snake through his releases on Holding Hands, Dansu...
Search
Results for: inclusion
Features
The latest and greatest DJs and producers rising to the top this month. From soulful house and hammering techno to electropop, bass and beyond, here's October 2022's list of upcoming talent you should be keeping track of
Features
In life’s messier moments, it’s only natural to seek out a place of comfort. On her new ‘Home Music’ EP, the violinist and producer known as Bad Snacks tells the story of how she regained a sense of belonging through soaring instrumentals and a soothing spin on upbeat house
Features
Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era
Opinion
The state of the environment has never been worse, but could
dance music be contributing to the problem? DJ Mag regular
Martin Guttridge-Hewitt examines if...
From South East Asia to the Western US, North to South Africa, people can’t get enough of synths and syncopated rhythms. Electronic beats are officially...
Cover Features
Tackling extraordinary challenges and pitfalls in his life, Detroit’s Robert Hood is a passionate advocate for the transformative power of electronic music. An ordained Christian minister, we meet him in Berlin after...
In the early hours of the morning on November 10, 1938, anti-Semitic rioting raged across Nazi Germany, in a pogrom that saw more than 100 Jews killed and 267...
A guide to dance music's pre-rave past
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
After a trip to South Africa, an engagement with politics and a need to explore new musical avenues, these Bears have teeth.
“If someone said to you ‘Jesus is drinking in a pub in Elephant and Castle’ you’d go and have a look wouldn’t you?” Well, bearded...
Features
Global club beats, queer femme energy and Pacific Island identity come together in Lady Shaka’s joyful Recognise mix. Ahead of her appearance at Sónar Festival this month, the DJ and interdisciplinary artist speaks to Anna Cafolla about building connections around the world, uplifting her communities, and her Pasifika club sound
We love Amsterdam, especially when essential industry conference ADE — the 20-year-old Amsterdam Dance Event — and our mega-enormo Top 100 DJs party are taking...
Whether industry hack, diehard dance fan or something in between, there's little doubt that Amsterdam Dance Event is a must-do. Kicking off every October in...
DJ Mag chats to James Ford about making the new LP, aliens, cowboy ghost towns, destruction and drones...
When the Klaxons joked that their producer, James Ford, communicated with aliens through his hair, they weren’t only paying tribute to his curly black locks...
Ikonika's back with a fresh electro-funk sound.
Far from retro, she's dragged us into a new digital dimension. We talk pop, reshaping history and optimistic futures with one of the world's most forward-thinking producers...
Features
Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach
Features
Ahead of his first ever shows as pioneering Detroit electro unit Cybotron, techno innovator Juan Atkins tells us why he’s revisiting his past — and...
Juan Atkins has always been, in his own words, “a music lover”. Growing up in Detroit, he would treat his parents’ dinner parties as an...
Features
A trained jazz musician, bandleader and DJ, Emma-Jean Thackray couldn’t find a home for herself and her music in more established jazz spaces, so she...
Features
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds