There are points in an artist’s career where they feel on top of the world. Moments when the years of hard graft at the unforgiving...
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Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...
One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...
The parties not to miss at ADE 2014
Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...
DJ Mag USA gets the inside scoop on WMC from your fave DJs...
The year is 2017. The month is March. This means one thing: We are going to Miami where the heat is on all night on...
Three decades and nearly 200 records into his career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...
Under the name Maceo Plex, Cuban-American DJ/producer and label founder Eric Estornel is among the biggest players in electronic music. So why has he resurrected...
When Eric Estornel, now best known as techno titan Maceo Plex, was just three- years-old, things in his native Miami started to change. From April...
With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...
To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...
French electro team Justice are preparing for a full-scale assault on the USA. The hottest production team on Earth, they're going all out to win...
It was in 2005 that a new sound first exploded into our eardrums. Appearing on then little-known Parisian record label Ed Banger, when the sonic...
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“Dreaming Of A White Wonderland”
Already sick of the overplayed tune “Winter Wonderland” playing overhead at every store you did your holiday shopping...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
TOKiMONSTA is the rare kind of artist who transcends genre — a producer who has worked with everyone from Flying Lotus to Skrillex and Anderson...