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12 emerging artists you need to hear this

The latest and greatest DJs and producers rising to the top this month. From UK rap fusions and politically charged electronic experiments to lush vocal house and colourful bass, here’s here's March 2022's list of upcoming talent you should be keeping track of

Scottish rap DJ and producer K4CIE has been carving out a lane for herself that’s distinctly female-focused. Setting up the women-celebrating club nights PEACH and...

Slowly but surely, dance music in northern England is rebuilding, and the past year has encouraged some promoters to rethink how they can make clubs...

“The clubs are coming back, pass it on!”Like a whisper rippling through a crowd, excitement is mounting as venues prepare to reopen their doors. But...

Berlin-based DJ, producer, and label boss Bloody Mary started her wax-led imprint long before the vinyl revival, and 10 years later it’s still going strong...

“Back in time when I was a teenager, the rave spirit was everywhere,” reminisces Bloody Mary. We’re talking about the mid ’90s in the south...

A selection of 8 press shots of artists featured in DJ Mag’s March emerging artists feature

The latest and greatest DJs and producers rising to the top this month. From masterful footwork and radiant house, to striking Latin beats, eclectic electro, breaks and beyond, here’s March 2024’s list of upcoming talent you should be keeping track of

“I want to see the bodies riding soundwaves, sparkling sweat in the air, and infectious smiles,” says cay horiuchi, whose DJ sets seek to create...

Collage of various images from panels and parties at ADE 2023

Amsterdam Dance Event returned earlier this month, with the world’s biggest electronic music conference delivering its usual, unrelenting whirlwind of parties, panels and so much more. Here’s a handful of highlights from DJ Mag’s week at ADE 2023

DJ Mag’s involvement with the ADE Lab — the conference’s four-day tech-focused programme that takes place in and around the Flemish Cultural Center de Brakke...

As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...

Bickering over genre definitions is a time-honoured tradition in dance music. One of the weirder etymological developments of recent years is the changing meaning of...

The dance scene owes much to gay culture...

 

Earlier this year, Lithuanian producer Ten Walls was riding on a wave of global love with his big-room smasher ‘Walking With Elephants’. Then, in...

DJ Mag attempts to find out just why he's so popular...

Mladen Solomun is a big chap. A big, bearded Balkan bombshell with a penchant for mashing up epic strings and sprawling synth-scapes with the odd...

Mason 'Exceeder' album cover featuring a wrestler in a mask and cape

When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story

“You might go to the same restaurant many times, but do you always order the same dish?” grins Iason Chronis, the artist most commonly known...

Photo of Dirty K next to the packshots of releases chosen in his Selections

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks

The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...

The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...

“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...

One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...

Seth Troxler’s reputation is such that he’s on first-name basis with the whole of electronic music. He’s put himself out there — often literally —...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...

The man, the myth, the legend...

One of the great characters in global electronic music, Mr C is a visionary, artist, actor and activist. He’s been prominent in the underground for...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...