It’s one in the morning and a capacity club crowd is bristling with excitement. The rammed dancefloor is a diverse mix of ethnicities, genders and...
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Results for: jack back
For a special roundtable discussion ahead of their HYTE residency...
Loco Dice, Pan-Pot and Chris Liebing are posing side-by-side on the rooftop of luxurious high-rise hotel The Ibiza Gran. It’s not often that the three...
We catch up with the hardest working man in dance to talk his rise to fame, his Revealed Recordings label and his bid for world...
“After I do a gig, if I’m in a party mood, it’s my tour manager’s job to remind me that this is my job,” says 25-year-old megastar DJ Hardwell. “Even though when I DJ and travel it doesn’t feel like a job. It feels like a dream come true.”
Features
With its on-the-pulse line-ups, great sound and inclusive atmosphere, Gonzo's Two Room is making Norwich a dance music destination. Here Ben Murphy heads to the club, and chats to its team, to learn what makes it so special
Features
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
Tech
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
Features
A new photography book, Drumz Of The South: The Dubstep Years 2004-2007 captures the early years of dubstep, depicting an important cultural moment in UK musical history. Charlie Bird talks to photographer Georgina Cook about the invention and excitement of the time, the influence of South London, and how that moment is influencing a new generation
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The latest and greatest DJs and producers rising to the top this month. From fiery percussive club music and techno to celestial synths and deep...
Features
Recognise is DJ Mag’s monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak to...
Determination and defiance burst from every beat of Lag’s output. As a producer, DJ and promoter, the Serbian upstart has become a vital fixture in...
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UK drill videos have played a crucial role in the sound's meteoric rise, with platforms like Mixtape Madness, Link Up TV, SBTV, and Pressplay Media...
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One of Uganda's most vital talents, Kampire has been breaking onto the global scene thanks to her electrifying, rhythmic DJ sets and activism. Ahead of...
There is a unifying force at the heart of Kampire Bahana’s work. For several years now, the Ugandan DJ and writer has been at the...
Features
The first dBridge album in 10 years pushes the boundaries of what drum & bass can be to the limit, but as we find out when we meet...
September 2018: Darren White, the artist we know best as dBridge, is in a good place. Literally, creatively, professionally, he’s in the midst of his most prolific and accelerated...
An intimate look at the bass wizard behind Flux Pavilion reveals a magnetic soul who uses his feelings as a force to drive his creations
Flux Pavilion is a man in touch with his feelings. He prefers love over hate, chords over kick drums, and wants desperately to play for...
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DJ Mag spoke to two of the scene’s icons about their takes on the scene in 2013, their manifold future plans, and the enduring spirit...
When DJ Mag enters a disused pub in south-east London’s Rotherhithe, we find LTJ Bukem has arrived early and is waiting patiently for us on a sofa in the pub’s old bar area. A true originator of drum & bass, Bukem, aka Danny Williamson, then throws himself into his part of the photo-shoot in a small, sparsely-lit room, which, much to everyone’s amusement, was once the gents’ toilets in the now-converted boozer.
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Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
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The latest and greatest DJs and producers rising to the top this month. From hyperactive gabber and intricate breakbeat science to thundering techno and gentle...