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The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021

Tim Reaper’s star has been rising for over a decade. In junglist circles, he’s moved past being the exciting new kid on the block to...

Lady Shaka

Global club beats, queer femme energy and Pacific Island identity come together in Lady Shaka’s joyful Recognise mix.  Ahead of her appearance at Sónar Festival this month, the DJ and interdisciplinary artist speaks to Anna Cafolla  about building connections around the world, uplifting her communities, and her Pasifika club sound

“Kia ora!” Lady Shaka greets New Zealand’s debut Boiler Room show. This is FILTH, a radical club community that centres QTBIPOC, and their first post-Covid...

After a six year hiatus, TNGHT are back. DJ Mag speaks to Hudson Mohawke and Lunice about creative freedom, EDM, and barking in the studio 

No vowels, no features, no frills, no nonsense — and for six years, no music, either. Nobody could accuse TNGHT of overdoing it. Their second...

Chronically underrated as an established British voice, Tricky’s outstanding new autobiography, Hell Is Round The Corner, readdresses his magnitude

Tricky wants to sit outside in Kings Cross, London. It’s blazing hot and he’s wearing a purple singlet, because he can. He trains a lot...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...

Fisher has leapt from being a virtual unknown to a star on the international stage. The Aussie DJ/producer’s rapid rise has come largely due to...

Paul Nicholas Fisher is a straight up Strayan. True blue, down to earth, no messing about. He loves his music, he loves to surf, he...

DVS1 is a true icon. He may have reached the top of the techno tree by a somewhat circuitous route — involving time spent in...

As brutal techno echoes around Amsterdam’s Warehouse Elementenstraat, DVS1 stands on the DJ booth looking perplexed, rotating the subs that line the railing high above...

Meet Berlin's benevolent queen...

 As a crusader for social justice, Germany’s Monika Kruse brings much more than techno to the global dancefloor. From Munich to Miami, her mission...

We catch up to find out all about his new project...

Carl Craig, one of the most important artists in techno, has been working with an orchestra to breathe new life into some of his back...

We shine a light on the names destined to have it large this year...

Last year was the one of many highs and lows. From Brexit to the return of breaks, it had moments to forget and plenty to...

DJ Mag travels to High Contrast's home city of Cardiff to meet the film-obsessed DJ/producer...

Lincoln Barrett really loves movies. Invited into his spacious house in the town of Penarth, minutes from central Cardiff, it’s impossible not to notice the...

He was the Electrifyin’ Mojo of the indie disco. The bootleg king. The electroclash god. But when each of those scenes imploded, Erol Alkan stepped...

Erol Alkan was 27 when he received his first album offer. Kylie Minogue had just performed his ‘Can’t Get Blue Monday Out of My Head’...

Album covers from electronic music film soundtracks

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...

Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...

In 2011, the dust from the dubstep explosion was still up in the air. The initial UK wave had split between a formulaic festival sound...

Ireland’s drill scene has been blowing up since 2018, with homegrown rappers and producers putting their own spin on the world-conquering sound. Robert Kazandjian speaks...

Every drill scene has its transcendent track; one so potent that it blasts hyper-localised sounds out towards national and international listeners. ‘Don’t Like’, ‘Let’s Lurk’...