Depending on when you last checked it out, Ultra Miami is not what you think. Once the reserve of chart-topping dance stars, EDM bigwigs and...
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John Digweed bids fond farewell to The Vagabond in Miami and reflects on rave days of yore while looking forward to his still-flourishing future
John Digweed was DJing long before the acronym “EDM” existed, let alone went mainstream and became the musical backdrop of Generation Now. In fact, back...
We talk to DAM FUNK about musical evolution, how music can offer escape, and Los Angeles' distinctive sound...
Amen, hallelujah and you’re absolutely goddamned right: Damon G. Riddick AKA DAM FUNK is spot on in both his diagnosis and proposed curative to...
MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...
“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.
Features
The Bristolian bass merchant speaks out on his late success, and his plans for the Miami 2013!
The last 18 months have seen Bristol’s Eats Everything seemingly come from nowhere to land international success as a DJ and release a string of well-received productions on top labels such as Dirtybird and Pets Recordings. As he prepares to play at one of DJ Mag’s renowned Miami parties at WMC, he talks candidly about Transatlantic crowd-pleasing, his upcoming raft of collaborations and how his success has, in truth, been anything but overnight...
Dubstep original will never turn his back on the sound that made him
As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.
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Stefan Kozalla is many things to many people: co-owner of an acclaimed label, production enigma and true free spirit. DJ Mag caught up with him...
It makes sense that DJ Mag has landed in Barcelona to meet DJ Koze. It’s a city where the abstract and traditional happily co-exist, where...
French electro team Justice are preparing for a full-scale assault on the USA. The hottest production team on Earth, they're going all out to win...
It was in 2005 that a new sound first exploded into our eardrums. Appearing on then little-known Parisian record label Ed Banger, when the sonic...
Features
We spotlight 10 sets at Ultra at the tail-end of Miami Music Week that you definitely cannot skip
Features
Returning to the city after a five-year hiatus, Simple Things delivers a 10th anniversary programme that celebrates Bristol’s vibrant music scene whilst welcoming a kaleidoscope of international sounds into the fold. DJ Mag’s Olivia Stock reports back
Features
Detroit-born, Atlanta-based Ash Lauryn is a digger in the truest sense, repping a soulful, classic house sound in her sets and helping preserve and bring back to the fore the Black roots of electronic music through her Underground & Black project. She speaks to Ria Hylton about discovering her passion and making the most of opportunities
Features
Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far
Music
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
DJ Mag talks his new LP as Deadstock 33s & scores a first listen.
Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...
We pick the brains of the Berlin-based tech producer, TJ Hertz...
Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...
Dutch DJ/ producer Fedde Le Grand's tips for ADE
He might be best known for putting his “hands up for Detroit” but Dutch producer Fedde Le Grand also holds a torch aloft for Amsterdam...