How much credit can you give a tool for creating art? Surely it's like praising the paintbrush for a great painting, or the typewriter for...
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How an adult version of Tetris kickstarted multiple musical revolutions
Ireland’s drill scene has been blowing up since 2018, with homegrown rappers and producers putting their own spin on the world-conquering sound. Robert Kazandjian speaks...
Brexit happens early next year, but its impact upon musicians working in the EU remains unclear. We delve into the potential effects of the UK’s...
NOTE: This article is over two years old and some information may be out of date. Please refer to this feature, written in January...
Black-owned music organisations, radio stations and record labels are helping to create vital platforms for Black producers and DJs who’ve been held back by systemic...
The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...
As DJs, producers and labels all get their biggest musical bombs ready for Miami’s annual musical showcase, DJMag looks back at the history of Big...
Is it the dance music equivalent of the Holy Grail or a merely an empty, outdated myth? That’s the question hanging over the concept of...
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...
Without bluster or overblown hype, Black Coffee has doggedly worked himself into the position of being not just South Africa’s foremost electronic music artist, but...
Far from the crowds of Ibiza’s resorts and the kaleidoscopic whirl of its clubs, on a tranquil outcrop overlooking the Mediterranean Sea, a man surveys...
Few countries have been as devastated by Covid-19 as India, with recent studies estimating that the death toll has likely exceeded three million, more than...
It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?
Already a staple sound of Ibiza at DC-10 and Parisian clubs like Concrete and Rex, French house is now truly going global...
It’s August 2013 and the trio of Dan Ghenacia, Dyed Soundorom and Shonky are coming to the close of an eight-hour showcase of their trademark...
In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings
A lack of data, information, and will has left electronic music producers lagging way behind their commercial counterparts. DJ Mag outlines how that happened, how...
DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?