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Features
Producers are losing millions in royalties every year – here's what you can do about it

A lack of data, information, and will has left electronic music producers lagging way behind their commercial counterparts. DJ Mag outlines how that happened, how...

In July 2018, DJ Mag published a feature on why streaming in the booth will change DJing forever. It included this: “It’s an open secret...

aslice
Features
Aslice wants to fix the imbalance between DJ and producer incomes, here’s how it works

DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?

Aslice is a new platform founded by DJ and producer DVS1. The service is designed to help close the gap in income between DJs and...
Features
Cru Faith: How the CruCast collective injected new life into bassline

The CruCast collective has injected new life into bassline, playing massive venues, touring the world, and spreading positivity. As the major players tell DJ Mag...

Six PM Saturday: a cold winter night in Rotherhithe. Londoners mooch around their south-of-the-river suburb, families settle down for a cosy night in front of...
Features
Who owns the night?: the complicated reality of the Night-Time Economy

The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...

Ever since the late 1980s, UK dance music’s interactions with politicians, police officers and mainstream public opinion have been defined by suspicion, misunderstanding or outright...

Features
We sent two artists back to school to take the UK’s official DJ exam

As exam boards start to include DJing as part of their music GCSE, DJ Mag sent some legends of the artform back to school, and put...

Late for the school bus, boring assembly, double maths, a quick gossip or kickabout at lunch — followed by a music lesson playing banging techno...