On October 19th last year, David Guetta went out onto the main stage at Amsterdam Music Festival (AMF) in the Johan Cruijf f ArenA, where...
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Following the massive 'Mr Spock', Dirtybird's Justin Martin finally gets the props he deserves...
San Francisco’s Dirtybird Justin Martin has been bubbling under for years as your favourite underground DJ/producer. But the amiable tech house nut has his sights...
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With his house-focused project Jack Back, David Guetta has returned to the sound that first got him fired up about dance music. In his DJ Mag...
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On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
From the unfolding climate crisis to the way technology governs our lives, you’d be forgiven for thinking the future looks bleak. Yet the experimental electronic...
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On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped and adapted the world of electronic music, both...
Marlon Hoffstadt’s ethos when it comes to the club is pretty simple. Turn off your phone, savour the moment, communicate through the music on the...
With the festival phenomenon showing no signs of slowing down, there’s something on offer for everyone in the UK this season...
The unmissable events at this year's Amsterdam Dance Event
In Amsterdam to pick up some industry insight from those that have been there, done that and are still pushing it forward? Looking to beef...
A guide to dance music's pre-rave past
A guide to dance music's past
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
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Sheffield-born, Berlin-based DJ, producer and Breaker Breaker Recs founder, Haider, steps up with an hour of tough, technicolor house, disco, breaks and acid for the Fresh...
DJ Mag chats to James Ford about making the new LP, aliens, cowboy ghost towns, destruction and drones...
When the Klaxons joked that their producer, James Ford, communicated with aliens through his hair, they weren’t only paying tribute to his curly black locks...
Can London trio Dark Sky make the tricky transition to an album and live band shows? You bet they can...
Triangles have enjoyed a good innings in the last few years. Alt-J won the Mercury. And the Illuminati continued their insidious global rule via all...
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One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...
A gospel trained singer, producer and musician raised on funk, He's a true star in the making...
There's nothing ordinary about Seven Davis Jr. Unlike the balding DJs you sometimes read about in these pages (he doesn't even DJ), he's not only...
The DJ Mag USA cover star keeps it all in the family, DIY style...
After a decade spent pushing creative new sounds through the European underground, Solomun celebrates Diynamic Music's 10th birthday with a party concept that's as unique...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today