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DJ Harvey is one of the UK originators of the dance music scene. From his beginnings in Cambridge punk band Ersatz, he discovered hip-hop and DJing on a fateful trip to New York City, and later alighted upon an eclectic mishmash DJ style inspired by the B-Boy everything-in-the-pot approach of the NYC scene's first DJs. 
Later becoming a leading light for house music in the UK, his night Moist at London's Gardening Club cemented his reputation as a true original, where his mammoth sets became the stuff of legend, and where he also invited the legendary likes of Larry Levan as guests.

Octobers top nights

Philips are the latest manufacturers to jump into the already crowded DJ headphone market, with their new flagship headphones that have been created in collaboration...

Korg have been one of the most reputable companies in the electronic music scene since pioneering the keyboard market as far back as the ’60s...

Ahead of the last ever Space Ibiza closing party, we chat with some of world’s biggest DJs — from Booka Shade to James Zabiela —...

Stanton’s new MIX! software is a slightly different take on DJing in the digital domain. It’s not out to replace or even threaten Serato, Native...

It’s an unseasonably hot day in London when DJ Mag sets off to meet Theo Kottis. A Scottish producer with a story to tell, Kottis...

Algoriddim's djay is a name that is best known for the rather excellent iOS app, which has gone from strength-to-strength, even winning an Apple Design...

The slow burn. That has always been Matt Tolfrey's modus operandi. He's more concerned with foundations, with building a family of likeminded house heads around him rather than surrounding himself with people who can advance his career.

Bound for hell in a homemade vessel the UK may be, but at least this month gives us plenty of opportunities to go out dancing. ...

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.