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Features
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
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A FEW WORDS FROM CLAPTONE...
“What time is it and where am I?” These are questions I find myself asking repeatedly lately. Yesterday, I flew...
HudMo turns up the spotlight on his solo album, ‘Lantern’...
Hudson Mohawke is biting his tongue. Not literally, although it’d be difficult to tell via the phone through which he’s speaking as he runs errands...
DJ Mag takes a look at legendary cosmic jazz adventurer Sun Ra
A HUNDRED years ago a man named Herman Poole Blount was born in Birmingham, Alabama. Although he would have disputed that, for not only did...
On the eve of the label's 100th release, we talk to Romboy about turning his back on the mainstream and returning to his roots, his...
Marc Romboy is one of the most prolific and diverse DJ/producers around. From his early '90s house beginnings through a spell in pop music and...
Huxley talks longevity, collaborations and steering clear of the pop-dance route...
The last few years have seen seismic shifts in dance music culture. Large swathes of the scene seem to have abandoned their heady underground ideals...
<p>It’s a good job Italian DJ/producer Riva Starr loves his job...</p>
The secret to a successful career in music-making, says Naples-born, London-based producer Riva Starr, must have something to do with having the ability to “surprise...
We talk to DAM FUNK about musical evolution, how music can offer escape, and Los Angeles' distinctive sound...
Amen, hallelujah and you’re absolutely goddamned right: Damon G. Riddick AKA DAM FUNK is spot on in both his diagnosis and proposed curative to...
Dubstep original will never turn his back on the sound that made him
As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.
Sandeman & Mr Dickie (Wildkats)
The two Scottish components of Wildkats - alongside New Yorker relocated to London Corey Baker - Scott Dickie and Stuart Sandeman also DJ under the...
Gomma Records’ boss Munk has hooked up with some of the world’s hottest underground female vocalists for his new production album. DJmag finds out more...
“I like my jeans to be dirty and I like my music to be dirty too,” says Munk, aka Mathais Modica, co-owner of experimental dance...
Poker Flat boss Steve Bug answers your questions...
“If I wasn’t making music and DJing I’d probably have ended up being a personal trainer,” admits Stefan Bruegeseh, more commonly known in dance music...
Features
Founded by Bristol DJ/producer Yushh in 2019, Pressure Dome’s focus on emerging talent and varied compilations has made it a key force in pushing UK club music to new heights. Here, alongside a mix from its catalogue, Oli Warwick learns more
Features
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career