"We started a lot of the songs not knowing what was happening, not knowing where the world was really going,” Eno Williams says, talking about...
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On the eve of a special performance, the trio join DJ Mag USA to discuss creation, serendipity and a little something called Group Therapy...
The artist’s green room in London’s Royal Albert Hall doesn’t quite match the scale of grandeur its main arena boasts. But for the talent...
Plus Richy Ahmed, wAFF, Patrick Topping & more...
Jamie Jones’ Paradise party at DC-10 has risen to become one of the island’s most popular, but it’s the family ethos behind the successful brand...
Above & Beyond’s latest delivery is an acoustic gem fit for a queen
The artist’s green room in London’s Royal Albert Hall doesn’t quite match the scale of grandeur its main arena boasts. But for the talent fortunate...
Nina Kraviz talks about Italo-disco, the RBMA, Detroit, Dance Mania, and her new label трип, as we lift the lid on her remarkable rise top...
When thinking of Siberia you're imagination is more likely to turn to endless tundra than techno clubs, the Russian region, which covers 10 percent of...
We take a look into what people are calling the 'primitive sound'
There's a fresh sound that's bubbling up from the underground to challenge dull dance and ridiculous stadium rave. Influenced equally by the early stirrings of...
Dubstep figurehead Skream has gone euphoric, smashed the templates, and upped the tempos. His new album ‘Outside The Box’ confirms he’s not content to be...
Remember a few years back? All that hoo-ha about nu-rave? Which sounded so promising but proved to be nothing more than a few indie kids...
Features
London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live
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Teenage bass music producer and DJ Moore Kismet hopes to flip the script on their scene, and showcase how power stems from breaking the mould...
Even the top DJs had to learn from someone. In the Top 100 set questions in the preceding pages, we asked all the DJs voted...
This month we’ve learnt who the public have voted as their favourite DJs, but who are the DJs’ favourite DJs? Who inspired them and put them...
Meet Berlin's benevolent queen...
As a crusader for social justice, Germany’s Monika Kruse brings much more than techno to the global dancefloor. From Munich to Miami, her mission...
The UK capital is making major strides...
Pretty much the whole of clubland was appalled when Fabric had its license revoked a few months back — after all, if Fabric could be...
DJ Mag travels to High Contrast's home city of Cardiff to meet the film-obsessed DJ/producer...
Lincoln Barrett really loves movies. Invited into his spacious house in the town of Penarth, minutes from central Cardiff, it’s impossible not to notice the...
He was the Electrifyin’ Mojo of the indie disco. The bootleg king. The electroclash god. But when each of those scenes imploded, Erol Alkan stepped...
Erol Alkan was 27 when he received his first album offer. Kylie Minogue had just performed his ‘Can’t Get Blue Monday Out of My Head’...
Features
Throughout the pandemic, grassroots activists and nightlife representatives have worked tirelessly to create a more sustainable, accessible and protected environment for dance music. DJ Mag...
Features
Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach