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A press shot of Flume in a striped jumper, holding a bunch of white flowers against an orange backdrop

Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story

Flume fills arenas, smashes stage props with sledgehammers, and builds booming soundscapes with the high-tech gear that fills his ever-expanding studio. Harley Edward Streten, on...

One of the Internet’s most talked-about acronyms — which stands for non-fungible token — is redefining digital ownership. But could NFTs really revolutionise the music...

Most people’s first experience with NFTs most likely happened within the past few months. It was also, most likely, met with confusion. As GIFs of...

ALOK

Alok is midway through his debut residency this summer — at DJ Mag's Top 100 Clubs winner, Hï Ibiza — after landing his highest place in our Top 100 DJs poll last year at No.4. DJ Mag Ibiza spent some time on the island with the Brazilian DJ/producer to discuss his new Monday night residency, his life on the island, and those magical Ibiza sunsets

Alok’s story is quite a remarkable journey. He’s the twin son of DJ parents who both had careers in dance music themselves, chiefly in the...

vinyl

Manufacturing delays and other issues continue to put a strain on small and independent labels. Taiwanese press plant Mobineko has unveiled a new pressing machine specifically for short runs, aiming to reduce the global bottleneck for vinyl production. Declan McGlynn speaks to Josh Doherty about the problems facing vinyl today, how the new machine works and what impact it could have on the future of vinyl

On the surface, the good news keeps coming for vinyl. Every year, new numbers are released showing the format’s strength and resilience continues. In fact...

While clubs have been closed during the pandemic, there has been an abundance of excellent dance music documentaries to fill the void left by their...

Whether celebrating individuals and movements that helped shaped where dance music culture is today, or commemorating everything coronavirus took from us in spring 2020, the...

Nina Kraviz talks about Italo-disco, the RBMA, Detroit, Dance Mania, and her new label трип, as we lift the lid on her remarkable rise top...

When thinking of Siberia you're imagination is more likely to turn to endless tundra than techno clubs, the Russian region, which covers 10 percent of...

In an exclusive adaptation from his new book on the ever-so-slightly eccentric Godfather Of Funk, KRIS NEEDS looks at George Clinton's influence on the electronic...

George Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as among the most visionary and influential black music pioneers to emerge from the...

Why are masks so popular in dance music?

“All great things must first wear terrifying and monstrous masks, in order to inscribe themselves on the hearts of humanity.”
 FRIEDRICH NIETZSCHE, Beyond Good and Evil...

Collage of artists included in DJ Mag emerging artists feature for march

The latest and greatest DJs and producers rising to the top this month. From tripped-out rap and laid-back house to rapid-fire breakbeats and more, here's April 2022's list of upcoming talent you should be keeping track of

London-based An Avrin might have failed his sixth-form music tech course, but he’s been on a successful run with music ever since, with releases on...

Paranoid London’s acid reign

Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach

It’s a dark, wintery evening in far North London and Paranoid London are in full flow at DRUMSHEDS, London’s latest super-venue. Opened on a former...

J Dilla press shot

J Dilla changed music with his unique production style and wonky beat patterns. Ahead of an expansive new book on his life and art, Marke Bieschke talks to author Dan Charnas about the enigmatic artist’s impact 

D is for Detroit. D is for Dilla. D is for ‘Donuts’, the legendary 31-track collection that James Dewitt Yancey — aka Jay Dee, aka...

Influenced by hip-hop and halftime drum & bass, Ivy Lab and their label 20/20 LDN have a new vision for future beats. With their debut...

"I didn't really want to do it. Why on earth would I want to hook up with two kids?" laughs Gove Kidao. One half of...

DJ Mag meets Róisín Murphy on the brink of her new LP, 'Hairless Toys'...

Róisín Murphy is the ultimate career woman. From teenage runaway to cult sensation, the mother of two has managed to truly have it all, thanks to...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

How X-Press 2’s ‘Lazy’

Released in 2002, a dream collaboration between UK house heroes X-Press 2 and Talking Heads' David Byrne, ‘Lazy’ lit up clubs and the pop charts alike. Here, Dave Jenkins talks to the group’s Ashley Beedle, Rocky and Diesel about how the track transcended generations and genres to become a timeless hit

“Who even writes a bloody dance tune called ‘Lazy’?” laughs Ashley Beedle. Fellow X-Press 2 founders Rocky and Diesel chime in with the chuckles, as...