On the face of it, ‘Romanworld’ looks like a pretty conventional electronic music album. Released in 1996 by UK indie Azuli, it rounds up 12...
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Since teaming up a couple of years ago, Mumdance and Logos have been smashing it. Their diverse backgrounds complement each other nicely, and now their...
'Sankofa' is both a word and symbol native to the Akan language of southern Ghana that stands for the notion that it is OK, in...
The out-of-the-box big beat anthem from the Wall Of Sound act Propellerheads
Based in Bath in south-west England, near musical hot-spots Glastonbury and Bristol, Alex Gifford had some quite varied early musical experiences. He played sax with...
Dirtybird take their low end theory on the road
If there’s been one trend that’s wheedled its way into all corners of electronic music in the last two years, it’s bass. Indecent ladles full of the stuff, speaker stacks positively groaning with the strain of lowdown, filling-rattling subsSan Francisco’s techno overlord Claude VonStroke is incubating a nest full of underground club killers in 2012, set to hatch and dive-bomb clubs Angry Birds-style
We got speaking to Kate Simko, Solomun, Nick Curly, Huxley and Will Saul about how they deal with the ups, the downs, the delays, the...
THE FEMALE PERSPECTIVE
Kate Simko
Chicago house heiress Kate Simko has toured as a DJ and with a live show, and explains how life on...
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Best known among dance music fans for collaborating with Daft Punk on ‘Discovery’s ‘One More Time’ and ‘Too Long’, Romanthony's ‘Romanworld’ found the US producer's...
Features
The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...
Features
The Crystal Method are one of the United States’ longest-standing dance music outfits, with a career that spans over two decades, thousands of gigs and...
On the north side of downtown Los Angeles, under the Broadway Bridge, a parking lot heaves with the breakbeats of Scott Kirkland of The Crystal...
Features
Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.
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Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'
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Julia Toppin selects 10 essential documentaries that paint a portrait of 30 years of jungle drum & bass, charting the stories of its origins to...
Nicole Moudaber is the techno queen with a rock & roll attitude. She’s the fast-driving petrolhead who’s as at home behind the wheel as she...
Nicole Moudaber is hooked on adrenaline. As a DJ, producer, label owner and promoter, she’s created a huge fan-base thanks to a constant schedule of parties...
Since the international rise of acts like Black Coffee and Culoe De Song, the spotlight is shining once again in the direction of the South...
A nation defined by its innate love of house music, the Rainbow Nation is going through a renaissance which has helped spur GQOM OH! —...
The dance scene owes much to gay culture...
Earlier this year, Lithuanian producer Ten Walls was riding on a wave of global love with his big-room smasher ‘Walking With Elephants’. Then, in...
Features
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional