In her 2020 interview with DJ Mag, Juba described the importance of dancing to her expression as a DJ. “I dance behind the decks, and...
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New main room hero Deniz Koyu favoured by all the big boys
Rising star Deniz Koyu was born in Germany to Turkish parents, but now lives in Holland where he works closely with dirty Dutch star Fedde...
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...
The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...
With its grimy cyberpunk aesthetic, Berlin label Mechatronica's innovative electro releases have found fans in the likes of DJ Stingray 313 and Helena Hauff. Alongside a mix from its catalogue, co-founder Casper Mejlholm tells Ben Murphy how experimentation and rule-breaking are at the heart of its success
Ralph Lawson's Leeds house music institution 2020 Vision celebrates 20 momentous years...
Leeds house music institution 2020 Vision celebrates 20 momentous years in 2014. Here, label boss Ralph Lawson remembers two decades of one of the UK's...
In-demand DJ and radio host, producer of sound system shakers for labels like Timedance and Ilian Tape, promoter and label co-founder at re:lax, Lauren Bush, aka re:ni, has become a seemingly unstoppable force in UK club music through a combination of hard work and self-belief. Alongside a pulse-quickening Recognise mix, she speaks to Jasmine Kent-Smith about formative club experiences, the importance of role models, and the pursuit of authenticity
This year’s Whole Festival marked the biggest underground electronic music-focused queer festival on the planet, bringing together LGBTQ+ collectives, artists and ravers from around the globe. Marke Bieschke heads to Germany to find out how Whole has created a world of its own
Dutch trio Noisia might have the studio skills to soundtrack the increasingly sophisticated world of video games, but with their latest EP they're also on...
Noisia’s hometown of Groningen in The Netherlands has a population of fewer than 200,000. This number is half of the Insomniac-reported total attendees over the...
Award-winning radio presenter and proponent of the diversity-focused Radio Silence movement, Kay-Lee Golding, explores the lack of Black representation in mainstream UK radio
Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019
In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their...
After discovering videos of rapid-fire MCs spitting in Portuguese over baile funk-flavoured beats, London DJ and Butterz co-founder Elijah linked up with Brazilian artists CESRV...
Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”