“When people open up our Bandcamp page, they can expect this welcoming vibe that’s like, ‘Are you ready to go on an adventure with us?’”...
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sound effects
Tech
The Hypnosis from Dreadbox is an ’80s-inspired hardware effects unit...
A new hardware effects unit from Dreadbox can make your tracks sound like Stranger Things. The Hypnosis – available summer 2019 at a price of...
Check out the full capabilities of the wicked new Korg Mini-KP effects processor.
There's 100 effects on there and if you're in the UK, it costs £100... so £1 per effect - ridiculous.
It sounds absolutely lush and...
Vestax have a new 19" rack mount mixer on the way.
The MDM-410 (£219, info at vestax.com) fills the void left by the ever-popular PMC-250 and is expected to be in shops by October.
With...
Pioneer DJ are taking the good fight onto the dance floor with their Pro Audio Speaker installs
Pioneer DJ are in a rather unique position, dominating the DJ booths in clubs all over the world, being a staple in every up and coming...
A new study has revealed music’s impact on the brain’s pleasure receptors...
Music affects the human brain in the same way as food and sex, according to a new study.
Brain scans of subjects listening to music...
Recreate the killer Planas sound!
Planas’ new album ‘The Long Game’ on Exceptional Blue Records is a great, atmospheric, vocal bass work-out. 'Rain On Me' is one of the stand out tracks. Here’s how he got that killer sound…
The production secrets behind 'Leave It All Behind'
“‘Leave It All Behind’ began as an eight-bar guitar/drum/synth loop Patrick wrote on his Akai MPC 2000XL. The main chords you can hear in the song were created using the MPC's note-repeat function. I also used the note-repeat function on an MPC 1000 to create the chords in 'Malmo'.
The raw street beats of Flosstradamus to hit London’s SW4 fest...
It all started for the duo when they put on their own parties in their native Chicago under the Get Outta The Hood banner.
London superclub reaches agreement
Ministry Of Sound will survive despite approval of a planning application for Eileen House, a project that had previously threatened the club’s existence.
Following many...
Watch
COURSES, SOFTWARE DEALS, FREEBIES & MORE
Following the highly-anticipated release of Ableton Live 11, Point Blank have created a tutorial, exploring all of the DAW’s new audio effects in-depth, showcasing what they...
Music
On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
Speaking to Sicaria Sound, aka Ndeko and Imbratura, you sense the camaraderie that unites them as friends and as a DJ duo, pushing the sounds...
Attacca Pesante drop latest for Shy FX’s label
The ever-mutating sound of UK dance music has a funny effect on some people. Type ‘hardcore continuum’ into Google and you’ll find all manner of...
Tech
We pair M Audio’s new DSM3 monitors with the SBX10 subwoofer and stand back to observe the earth-shattering results...
Constantly on the look out for a powerful, project studio monitoring set-up DJmag thought it would take a look at M Audio’s DSM3 monitors married...
Features
Our monthly label showcase, The Sound Of, puts the focus on the imprints we love; outlets that are championing new artists, dropping key releases and...
“100% Silk has always been about feeling over functionality,” says Britt Brown, who founded the Los Angeles label in 2011 with Amanda Brown. “The music...
Features
New York’s Kindergarten Records has become an essential outpost for hard-to-define, easy-to-dance-to club music in just two short years. Alongside a mix from its catalogue, founder Ma Sha tells Sophie McNulty how friendship and a sense of fun are at the heart of the imprint