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The out-of-the-box big beat anthem from the Wall Of Sound act Propellerheads

Based in Bath in south-west England, near musical hot-spots Glastonbury and Bristol, Alex Gifford had some quite varied early musical experiences. He played sax with...

A rising number of producers are making music that creates a soundtrack to those calmer moments in life. DJ Mag investigates...

Summer is in full swing, Ibiza still rocks and festival season has blossomed into hundreds of live-music infused explosions, happening in far-flung spots all over...

UK producer Will Holland shot to fame as Quantic with a blend of lush electronic beats and fiery Afrobeat rhythms. Then a trip to Colombia...

After years making live funk, reggae and cumbia influenced by his experience there, he's returned to the Quantic moniker and to the world of electronic...

There are few artists that have made as deep a mark on the landscape of UK music as Dego and Kaidi Tatham.

Traversing through the thick discographies of Dego and Kaidi Tatham renders a fascinating connect-the-dots maze of London music history, with twists and turns of different...

DJ Die on Gutterfunk, Clear Skyz and mixing Chic with DJ Hazard

DJ Mag chat to Bristol bass head DJ Die

Sheffield's Cabaret Voltaire were way, way ahead of their time.

Neil Kulkarni talks to founder Richard H Kirk about apathy, necessity and house music...

The trap phenomenon explained

Trap is the slow-rolling, synth-heavy, snare-snappin' sound that's swept underground dancefloors and stadiums alike across the US and Europe. But what is trap? Is it a genre of its own? Where does it come from? Why's it so popular — and why's it hated in equal measure? Does it have a future? Danna Takako investigates...

The Andy Warhol of dance music and self-proclaimed Mayor of Williamsburg, Larry Tee injects attitude into electro-house with his new album

Cruising over the Brooklyn Bridge away from Manhattan’s lofty skyscrapers and towards his home in Williamsburg, Larry Tee and his entourage are discussing an important...

They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...

A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...

A selection of 8 press shots of artists featured in DJ Mag’s February emerging artists feature

The latest and greatest DJs and producers rising to the top this month. From quaking dubstep and tripped-out rap, to healing house, R&B and beyond, here’s February 2024’s list of upcoming talent you should be keeping track of

Danish-Honduran artist Julie Pavon has so far released just one EP, but is already rising swiftly. The vocalist and songwriter’s six-track debut ‘Watch Her Dance’...

 

When the pandemic hit, Hyperdub-signed Canadian musician and vocalist Jessy Lanza packed up and moved to the sunny West Coast, where she began a...

On a sunny, autumnal afternoon, sitting on a bench in San Francisco’s Golden Gate Park, producer and vocalist Jessy Lanza is running down the history...

More than a year after dancing stopped in Ibiza, the middle of 2021 sees a glimmer of hope. DJ Mag’s man on the White Isle...

For over 30 years, Ibiza has been at the forefront of dance music tourism, but when Covid-19 entered our lives, life on the White Isle...

We go behind the scenes of Laurence Guy's live show, set-up and performance approach

Church Records regular Laurence Guy's transition from DJ to producer to live performer saw his studio and set-up shift and evolve as he developed his...

South African-Swiss DJ and producer Nora En Pure has managed to maintain her organic house sound, despite playing some of the biggest commercial venues in...

Daniela Di Lillo is an accidental trailblazer. She is someone who has managed to rise to the top but still play her own brand of...

After a six year hiatus, TNGHT are back. DJ Mag speaks to Hudson Mohawke and Lunice about creative freedom, EDM, and barking in the studio 

No vowels, no features, no frills, no nonsense — and for six years, no music, either. Nobody could accuse TNGHT of overdoing it. Their second...