The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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The raucous rhythms of Jersey club have been everywhere lately, and UNIIQU3, aka the Jersey Club Queen, is one of the main reasons why. Bruce...
Krewella explain once and for all why they will always be a sister act.
“I see us as two dirty trolls.” Jahan Yousaf is kicking it with her sister, Yasmine at home in LA. Hailing from Chicago, the Yousaf...
We talk to three DJs who have subsequently become mental health & wellbeing practitioners in their own individual ways
Cover Features
Vienna-born, Manchester-based salute’s DJ sets and productions shine at the intersection of garage, French house and ‘80s synth styles. Ahead of the release of their star-studded debut album on Ninja Tune, they tell Kamila Rymajdo about their musical upbringing, flying the flag for Black artistry, and their joyful sound that, simply, makes people feel good
Features
As they kick off their Tuesday night headline residency at Hï Ibiza, New York natives The Martinez Brothers catch up with DJ Mag Ibiza's Mick Wilson about their love for the White Isle and their big plans for the coming season
Features
Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival