Nine years ago, Newcastle-born DJ and producer Patrick Topping played his first ever sets within the deep red-painted walls of Ibiza’s DC-10. Then a fast-rising...
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Just what is this bass-heavy funk sound?
The Ghetto Funk Allstars duo grew out of a blog and a label a few years ago, and they've been rocking festivals and parties ever...
Music
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
Features
Hosting its first residency in Ibiza at the legendary DC-10, Patrick Topping's Trick imprint has seen a release break through to the UK charts, and grown from an imprint to an empire. With Australian DJ/producer Airwolf Paradise on mix duties with an hour of club-ready label cuts, DJ Mag sits down with Patrick Topping to talk about his vision to share the versatility and imagination of electronic mainstays, and giving breaks to the undiscovered underground
Features
Twenty years after it first lit up dancefloors around the world, Rui Da Silva and Cassandra Fox's No. 1 hit ‘Touch Me’ is transcending generations...
For the first time ever, we meet the two Italians behind all those raw re-disco edits, loopy sampled cuts and technoid boogie bangers...
After going to ground and into their new studio, 'The Tiger's Lair', to record their fabulous second LP 'On The Green Again', Tiger & Woods...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
DJ Mag USA speaks with Matrixxman about his debut album ‘Homesick’...
On a brisk spring San Franciscan afternoon, clouds move lazily across the sky with sunshine piercing through as notable techno talent Matrixxman, real name Charles...
<p>It’s a good job Italian DJ/producer Riva Starr loves his job...</p>
The secret to a successful career in music-making, says Naples-born, London-based producer Riva Starr, must have something to do with having the ability to “surprise...
Cover Features
Stefan Kozalla is many things to many people: co-owner of an acclaimed label, production enigma and true free spirit. DJ Mag caught up with him...
It makes sense that DJ Mag has landed in Barcelona to meet DJ Koze. It’s a city where the abstract and traditional happily co-exist, where...
Features
DJ Mag’s tech editor, Mick Wilson, investigates Black and non-Black POC representation in the music tech sector, and what industry leaders are doing to address...
There's a new techno sound echoing from the post-industrial streets of one of the UK's biggest conurbations. Influenced by Berlin and Detroit, Manchester's young producers...
Our personal geography is one of the formative things about us. Our immediate surroundings and the people that surround us are our most important influencers...
With a host of monikers and diverse productions to his name, DJ Pierre has driven the development of dance and is still at the forefront...
Phuture, Pfantasia, Phantasy Club, Photon Inc, Audio Clash, Darkman, Doomsday, P-Ditty, The Don… all past aliases for Nathaniel Pierre Jones, better known as DJ Pierre, the man credited with kickstarting a movement in 1987 with ‘Acid Tracks'. Although a seismic claim to fame, this happened over a quarter century ago, most recently reactivated on Terry Farley's monumental 'Acid Rain' box-set. But, since then, Pierre has continued to chart one of the most idiosyncratic paths in house music, undyingly committed to developing new sonic mutants to send crowds bananas on his punishing schedule of globe-trotting DJ gigs.
Features
Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story