Reviews
A master of both audio and visual aesthetics, Max Cooper names the weird and wonderful tracks that inspired his musical vision...
Max Cooper is best known for emotive soundscapes that translate both on and off the dancefloor, and is defined as an artist consistently pushing the boundaries of sound and vision within his work. His third studio album, ‘One Hundred Billion Sparks’, was inspired by a month of solitude in a secluded part of Wales far from the constraints of everyday life. The outcome is twelve pensive tracks with plenty of nostalgia; all intricately woven into visual art to elaborate the story. Aside from his recent trip to the idyllic countryside, we asked Max to reveal ten of his most influential tracks of all time...
Harold Heath asks if dance music has plateaued or if we're just jaded...
WORDS: Harold Heath
Is dance music suffocating under a wave of beige productions or are we just jaded? Harold Heath argues that artists need to take more risks to produce truly great art...
The Firehouse boss digs deep, revealing the inspiration behind her new band project, Pleasure Planet...
Kim Ann Foxman’s Firehouse Records is all about the house music; a label that celebrates all the great things going on in New York and has built solid foundations since 2014. But right now there’s an exciting twist in Kim’s discography, in the form of her latest project Pleasure Planet, alongside Andrew Potter and Brian Hersey. The trio have been working together for the best part of five years with their first collaboration heard on NY imprint Throne Of Blood. Harking back to the synth sounds of the ‘80s with hints of Italo disco, their latest ‘Pleasure Planet’ EP has come via Foxman and Potter’s colourful new imprint self: timer. We catch up with Foxman to reminisce about the essential records that inspired the Pleasure Planet sound — from Nu Groove classics to New Order...
The best things in life are free – we round up powerful synth plugins that won’t cost you a thing…
Drum & bass futurists Blocks & Escher promised an album four years ago through Goldie’s Metalheadz label. Now it’s finally arrived, but what caused the hold-up? Here, the duo talk expectations, high standards and how they finally broke their creative stasis to make a masterpiece...
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