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Listen to T-Power's most inspirational tracks
He started off making hardcore and jungle before concocting groundbreaking tracks like the dystopian 'Police State' and the seductive 'Mutant Jazz', and then going super-ambient.
T-Power leaves drum & bass behind for downtempo opus 'The Lazy Nine'
Marc Royal has had a prodigious history in breakbeat music. His early work was in hardcore before he made his name as T-Power in drum...
Atomic Hooligan man mixes cuts from Sonia SOTO bass benefit comp
Top names support benefit gig and charity album
A load of top names from the world of beats and bass music are lending their support to a benefit gig this weekend (Saturday 14...
The seminal tracks that altered dance forever!
In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.
Funk-dripped drum & bass head plays us his most inspiring tracks
Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.