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A new project collecting memories from clubs, rave and various parties over the last few decades has been launched.

ClubTogether is gathering people's memories to...

Ten years after their last release, Richard Norris (left) and Dave Ball - collectively known as The Grid - are back.

From their seminal 1987...

Rave manipulators and merciless electronic historians EVOL have returned with a new mix LP that charts the history of acid house in the most intense...

If there’s one instrument that faithfully captures the true spirit and essence of electronic music, it’s the Roland TR-909 Rhythm Composer: a machine that has...

In 25 years in the biz, John Gosling, aka Mekon, sure has worked with some interesting, innovative folk.

The word 'legend' should be used sparingly, but there's no doubt that DJ Pierre's contribution to the world of electronic music places him in...

In a previous issue in DJ Mag Tech we saw how Ableton’s flagship production software, Live, has evolved into an improved powerhouse, with the new Version 9 release. However, not content with bolstering their software to be all-powerful, the guys at Ableton have added an extra dimension to the whole package. It’s obvious in their minds that software is not enough, and so exploring the next level seems like the logical progression.

Graham Massey and Andy Barker take their places at a table in the first floor restaurant at Manchester arts institution HOME, just a stone’s throw away...

 With the near-demise of the super-clubs in thew UK, festivals have emerged as the primary big dance music events. Each year there are more and...

“We loved electronic sounds, really,” adds Phil. “With synthesisers it was like, ‘What made that sound?’ It was that sort of search – for electronic sounds and drum machines.”



Mark Moore grew up in London and got into music at a young age. After his mother, who uprooted from South Korea after the Korean...