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Results for: Yamaha CS-80

Yamaha's iconic polysynth is being re-made, presumedly for an affordable price...

Behringer are remaking the Yamaha CS-80, according to their Facebook page. The classic polysynth – made famous for providing the haunting sounds on the Blade...

Daft Punk, Vangelis, Jean Michel Jarre and Giorgio Moroder are all fans of the original... 

Yamaha is considering a new version of one of its most-coveted synths, the CS-80. 

According to a text shared by Derek Cook, moderator for the...

Analog Brass and Wind combines traditional instruments with futuristic sampling...

Output Sounds have released a new instrument called Analog Brass and Wind. While brass and wind instruments may not be the most exciting when it...

The popular collection of soft synths hits version 7...

Arturia have announced V Collection version seven, the next incarnation of their popular collection of soft synths. Version 7 adds the classic EMS Synthi synth...

The Japanese company’s latest is a remake of a classic

Black Corporation is re-making a classic polysynth in the form of a new hardware device, the ISE-NIN. Based on Roland’s classic polysynth the Jupiter-8, the...

2000 units have been made available

Behringer's clone of the Korg MS-20 synth is now available to buy.

The K-2 model has been made available in 2000 units and is Eurorack-compatible...

Dubstep/techno whizz-kid Killawatt chats about his essential kit...

“I’d like to be able to say it’s my Yamaha CS-80 that I can’t live without but I don’t own one, realistically it has to...

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Does Spectrasonics’ new bass softsynth plug-in Trilian deliver?

Spectrasonics are back with a vengeance with Trilian, the very long-awaited follow-up to their Trilogy Bass Softsynth. Back in the day, nearly every producer who...

Album covers from electronic music film soundtracks

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...