“I’ve been incredibly lucky to have been able to make a career out of music,” Fedde Le Grand tells us, humbly. “It has taken me around the world and allowed me to showcase my music to thousands.”
Best known for catchy dance track 'Put Your Hands Up 4 Detroit', Fedde Le Grand is currently in the studio crafting a brand new set of chart-toppers — his new LP is out early next year. But that's not all. “Next year I’m bringing my run of GRAND shows back, this time bigger and better,” he tells DJ Mag. “And I've got some really amazing new tracks, so couldn’t be happier!”
Looks like it's smiles all round from Fedde then, roll on 2016!
2015 has been a sensational year for fun-loving Dutch duo, Bassjackers. They've toured the globe, released Beatport number ones and even indulged in philanthropy; the duo support The Zoëzo Foundation who help children suffering with Leukaemia.
Music-wise they've collaborated with EDM heavyweights like Afrojack and Dimitri Vegas & Like Mike, plus hot-tipped up-and-comer KSHMR. They've also teamed up with the best EDM imprints on the block — cue Spinnin', Ministry Of Sound, Revealed and more. It's in America that the duo's sound has translated best — they've charted record crowds at their weekly club residency at The Light in Las Vegas.
For next year, the duo say they'll “be experimenting with some new styles” on their upcoming release and have another gigantic tour in the pipeline for 2016.
“Turbulent” is Blasterjaxx’s adjective of choice to describe their year, speaking to DJ Mag all the way from Shanghai. “But we’re very happy to look back and say that we’ve really established our place in the dance scene.”
Debuting in the Top 100 in 2013, Thom Jongkind and Idir Makhlaf met at the gym and, since that fateful workout, haven’t once looked back. Treating their fans (or “Blastersoldiers”) to their ‘Maxximize On Air’ podcast and an array of festival appearances (Tomorrowland, Ultra, Sziget) this year, the pair prove they're still going strong.
One project this year saw them teaming up with Electric Family to develop a bracelet, with all proceeds going towards helping millions of blind adults and children.
The trance, hardstyle and house producers have spent the past six months building their own studio and in there have been “raising the level compared to the years before. Not only as Blasterjaxx, as artists, have we grown but definitely have also matured on a personal level,” they say.
A recent Facebook post of theirs promised that for each ‘Like’, they’d do one push-up — meaning that by now they should have done 33,712. Good luck guys!
He may have been dethroned after two years at the top of the poll but Hardwell’s bigger than ever. Robbert van de Corput’s 2015 was a very good year even by his bombastic standards. His debut album ‘United We Are’ was released in January, while a residency at Ibiza’s swish Ushuaia, Hardwell’s Carnival, saw the EDM star slay all contenders for sheer chutzpah.
But it was the filming of a biopic documentary movie following his hectic life on the road, I Am Hardwell – Living The Dream, premiered at Amsterdam Dance Event, that really took him outside his comfort zone.
“It’s kind of odd to see yourself on screen, especially in a cinema environment,” Robbert admits. “I’m not an actor so for me this is really unusual, but it’s always amazing to see how much I’ve evolved, not just as an artist, but also as a person.
“When we first started filming the very first documentary I was conscious the camera was filming me but these days when the camera is rolling I’m not really noticing it at all,” he continues. “So it’s strange when I see myself on the screen talking or DJing or travelling or whatever, in a kind of natural state, it’s really giving a glimpse into me and my life and this whole journey.”
No stranger to collaborations, Hardwell hooked up with several artists this year, including rising artist Wiwek, whose brand of EDM ‘jungle terror’ has been getting him a lot of attention of late. Robbert loves working with others, suggesting that when it’s right, magic can happen.
“The magic that comes out of working with somebody else is always unpredictable,” he says. “I really enjoy working on my own in the studio but from time-to-time it’s a refreshing change to actually jump in the studio and just see what happens.
I’ve done a lot of collaborations over the years, and not all of them have been released. Sometimes the magic isn’t there, but when you get it right it’s really special. I’m always searching for that wow factor when making a record.”
Of course, his biggest collabo in 2015 was with Armin van Buuren for the electro zap of ‘Off The Hook’, an opportunity to work with another of his heroes. “What’s there to say about Armin that hasn’t already been said? He’s such a gifted and natural producer.
I’ve always loved the music he makes, and his ear for arrangement is second to none. It was a real pleasure to work with him on this track, and I feel we both brought some very defining qualities to this record. It captures our different styles and packages it up well — plenty of big electro groove and lots of pace too, with this classic euphoric break, which I love!”
Dimitri Vegas & Like Mike’s ascent to the top of the Top 100 DJs poll will be forever intertwined with their role at their country’s Tomorrowland Festival.
The iconic Belgian party has itself grown over the past decade to become one of the world’s most popular events, though it was in 2010 when brothers Dimitri and Michael Thivaios were first selected to pen the festival’s anthem. World domination slowly but surely followed, for both the brothers and the festival.
“Tomorrowland is for sure the biggest pillar of our success,” says Dimitri, speaking to DJ Mag just after returning from the festival’s North American cousin TomorrowWorld, where they’d played to jubilant vibes on Saturday prior to it notoriously being washed out by rainy weather.
“Even in the early days it was a local legend, it was huge in Belgium and the countries around it. I mean, we grew up just a few hundred meters from the site where it takes place! It’s been amazing to watch it turn into such an international phenomenon.”
Both DV and LM have roots in dance music that stretches back to their teens, when they both made the pilgrimage to live and work in Ibiza; first Dimitri, followed by his younger bother Mike, and both effectively changed forever by Erick Morillo’s Subliminal residency at Pacha (“You come to this island where everything is about love and peace… For us it was such a game-changer”).
Returning to Belgium around a decade ago to launch their musical partnership (“I said to Dimitri, move in with me and my girlfriend, we’ll build a studio in one of the rooms and you can sleep in the studio,” Mike laughs), their first big break came when their remix of ‘Work That Body’ caught the attention of Axwell.
However, it was their role in shaping the soundtrack for the 2011 Tomorrowland after-movie that really marked the turning point for Dimitri Vegas & Like Mike.
“We spent weeks making the perfect soundtrack,” Dimitri tells DJ Mag. “We all sat together with the team of Tomorrowland and said, ‘OK, this year we’re gonna do something next level’.”
The extra effort paid off, as the after-movie chronicling the extravagant spectacle of the three-day festival was magnificently producer — enough to attract the world’s attention. All those sweeping aerial shots, the ecstatic punters, the insane stage designs, the emotion and excitement. It represented somewhat of a dance zeitgeist moment, racking up over 70 million YouTube views to date.
The pair had several of their tracks featured on the after-movie, and their party-ready sets have since become synonymous with Tomorrowland’s main stage bombast. Mike hyping the crowd on the mic, spraying champagne from the stage, and this year stopping the music to part tens of thousands of punters in the amphitheatre, before drawing them together into a heaving moshpit.
However, their residency on the main stage of their country’s flagship festival only tells part of the story of what’s elevated Dimitri and Mike into the #1 spot of the Top 100 DJs poll.
To give an idea of the sort of crowds they’re drawing, their annual Bringing The Madness stadium shows during December in Belgium are set to shift an unprecedented 60,000 tickets across three evenings this year.
And while they’ve run their own Smash The House label (and associated Smash Artist Services booking agency) since 2011, they took things independent last year after a long-running association with Spinnin’ Records. They since enjoyed their biggest hits yet.
“Artistic control is the most important thing, and we wanted to keep it in the family,” says Dimitri, pointing to the success of Armin van Buuren and Steve Aoki, and their respective Armada and Dim Mak empires, as examples of how successful this approach can be.
It bore fruit this year with their Ummet Ozcan collaboration ‘The Hum’, a killer main stage anthem (helped a little by a suitably excessive video featuring notorious Hollywood actors Charlie Sheen and Jean-Claude Van Damme) that perfectly captures the hard kicks and heavy drops they’ve been using to blow up the main stages in recent years.
As it turns out, it’s a sound influenced more than a little by Dimitri’s early days in the Belgian hardcore scene (not unlike how Mike’s trademark antics on the mic during their shows was informed by his own early adventures in Dutch hip-hop).
“‘The Hum’, it went crazy,” Dimitri says of the track, which has inspired hearty chest-beating responses since its debut at Tomorrowland in 2014, rushing to #1 both on the Beatport and the Belgian national charts upon release. “We expected it to be a big record, but we didn’t expect it to go that crazy. We’d had the idea a few years ago to go back to my past, and we thought if we brought back the hard kicks, people will go nuts for it. And it seems we weren’t wrong.”
Otherwise, on the complete opposite end of the spectrum, the gentle piano house of their collaboration with R&B star Ne-Yo saw them locking down a crossover radio smash, which spent a whopping ten weeks at the top of the Belgian charts. The pair say the idea for the track had gestated for over a year, before a studio session with Ne-Yo saw it nailed down swiftly.
“We were showing some tracks to Ne-Yo, and he heard that hook and said, ‘I’m gonna do this’,” says Mike. “And boom, an hour later…”
“He wrote this amazing topline on the top of it, and the rest is history,” says Dimitri.
“For us, it was the chance to do something different, and mainly to show people again that we release music that we love, music that we believe in… And the most important thing about ‘Higher Place’ is that it’s a song; we decided against going with a drop, because we wanted a song.”
It’s a sign of things to come — in terms of their long overdue artist album, they’ve given a tentative release date of early next year. They’ve spoken often of the experimental directions they’ve been taking in the studio, with more than a couple of mystery records sneaking into their sets, though they’ve been intentionally keeping their cards close to their chest.
“We’ve written over 70 tracks, we’ve basically finished over five albums but never released them,” says Mike. “One or two tracks survived from each of those, and we’ll make the final cut soon.”
“We wanted to do a diverse collection of music that we really love, that we’re 100 per cent behind. Is it gonna be a downtempo album? No,” says Dimitri. “But there’s a couple of tracks really out there, not linked to anything, they might even start a new genre.
And we want to have the whole story that we wanna tell completely ready. “The downside is that a lot of fans get a little frustrated because they might hear some of this music in our sets, and they want to see the music released,” Dimi continues. “But we also have this secret box of tracks, and that’s gonna be the album.”
The duo’s sound has certainly evolved in sync with the main stage during their ascent, their early remixes sporting a groovy electro-house flavour, in contrast to the EDM mayhem that characterises their sound today. While Dimitri concedes his main stage compatriots have been “playing it safe” this year, he says the next evolution is always just around the corner.
“In a sense, it’s only one track away,” Dimitri tells DJ Mag. “There’s still a lot of artists experimenting, and at a certain point there’s gonna be that track that turns everything over again. But it doesn’t come on demand. It’s the responsibility of the DJs and producers to challenge themselves into doing something different, and keep on making original tracks with the dancefloor in mind.”
Riding high at the top of the pile, party-rockers Dimitri Vegas & Like Mike are going to continue smashing the house for a long time to come.
Words: Angus Paterson
What do you get when you lock Skrillex and Diplo in a studio together? A wildly successful bass child, apparently. Unless you’ve been sleeping under a rock — with a very good set of earplugs — you’ve probably heard at least one of their productions as the duo Jack Ü, whether you wanted to or not.
Their debut ten-track LP, 'Skrillex & Diplo Present Jack Ü', was a co-release between their respective OWSLA and Mad Decent labels that smashed the streams earlier this year, peaking at the #1 spot on Billboard’s US Dance/Electronic Albums chart.
Jack Ü’s second single release off the album, a hit collab with boy wonder Justin Bieber titled ‘Where Are Ü Now’, propelled them into the iPods of pre-teens and parents alike... and, predictably, launched a fair amount of fury within the electronic dance music world.
Catchy though the song may be, making nice with one of the most loathed visitors to the island of Ibiza in the past decade — after the Kardashians, obviously — is bad enough, but making music with him is a slippery slope to navigate. Unless you’re Skrillex or Diplo, of course.
Then, you can chalk it up to Jack Ü and tell the haters to jack off after your track goes platinum in the US. Which it did. It also gave both Diplo and Skrillex their first top 10 hit on the Billboard Hot 100… and the Biebs his seventh.
Australian sisters NERVO are big news. While some have questioned the lack of women in the Top 100 DJs poll, these DJ and production siblings have consistently placed in the upper reaches. Starting out as songwriters for everyone from Britney Spears to Kelly Rowland and Armin van Buuren, they’ve a natural knack for well-placed hooks, which pepper their productions.
In July 2015, they finally released their debut album ‘Collateral’, which features music royalty of the calibre of Chic’s Nile Rodgers and Kylie Minogue just for starters.
And while a clever pop sensibility is evident in their style, they’re not afraid of getting a little deeper musically, throwing in some groovier house during their DJ sets, which are clearly in high demand. They’ll play London, Las Vegas, Zurich and Sao Paulo before the year is out.
Makj is the alias of US DJ/producer Mackenzie Johnson. Famed for his take on all things electro-house, this prolific producer has also worked alongside a varied crew of musicians, with everyone from Hardwell to Lil’ Jon to M35 rubbing shoulders with the Tomorrowland main-stager.
Another on this list who’s signed his music to the likes of Spinnin’ and Ultra, Makj is also a talented DJ and by no means simply a talented producer – which is no real surprise considering he got his first pair of Technics at the tender age of 15. 2015 marks his second year in the Top 100…but all the signs would indicate that he’s here to stay for some time yet.
Despite only forming in 2011, VINAI are a duo very much setting the EDM world on fire right now. Setting their stall out early with a series of club-ready cuts such as the ubiquitous EDM hit “Raveology”, these Italian brothers have seen their stock soar over the past year thanks to a reciprocal relationship with the all-conquering Dutch label, Spinnin’.
Collaborations with the likes of DVBBS, R3hab and Dimitri Vegas & Like Mike prove that they’re not afraid of mixing it alongside their big-name peers either. Watch out for their new track, the curiously named “Techno”, which is out now on Spinnin’ – naturally - and promises to showcase a side of the boys we’ve never witnessed before. Brothers gonna work it out, eh?
It’s been yet another year of chart-topping and globe-trotting for Dutchman Tijs Verwest, better known to the world as Tiësto. For the man who has been going strong in the EDM scene since before such a genre classification existed (fellow ‘90s ravers, we know you remember the days), life appears to be a continuous whirlwind of success.
From his residency at Vegas super-club Hakkasan to headlining the biggest festivals on the planet, to his popular Club Life radio show and compilation album, the superstar DJ/producer holds steady in the upper echelons of the DJ Mag Top 100.
Tiësto’s sound has evolved along with the scene as he replaced the fast-paced, euphoric trance that he made his name on with a decidedly more mainstream, pop-EDM sound — but his popularity keeps growing, year after year, despite the stark shift in fan base.
2015 has seen the superstar collaborating with plenty of other superstars, such as Martin Garrix, The Chainsmokers, and Don Diablo. While this year didn’t see an artist LP release, Tiësto kept fans satiated by delivering another mixed compilation album in May.
‘Club Life: Volume Four New York City’ is the fourth installment of his successful ‘Club Life’ compilation series and reached the #2 spot on Billboard’s US Dance/Electronic Albums chart.
Among the more popular tracks on the album is ‘Secrets’, a collaboration with Kashmiri-American producer KSHMR featuring Australian singer Vassy on vocals that charted in 12 countries — certainly, nothing new for Tiësto but a repeat occurrence that serves to underscore his popularity. What Tijs Verwest touches, often turns to dance chart gold.
Massive popularity comes with massive responsibility. While plenty of artists eschew it, the 46-year-old veteran producer appears not to take it lightly. Recognizing the contribution of women in dance music, for instance, Tiësto told The Miami New Times in an interview earlier this year, “I’m very aware and appreciative of [women’s roles in EDM].
I don’t really know why there’s not more of a female DJ presence out there. I mean, there are some great female names on the scene, but it would be great to see more.” He went on to admit, “female artists have been crucial to the development of dance music.”
Indeed, the dance music world sees a plethora of women featured on vocals, particularly in the brand of music Tiësto and his peers produce, but relatively few behind the decks.
In keeping with his pursuit of quality, though, he also acknowledges that he will only feature what sounds good — x and y chromosomes regardless.
One thing is certain: if the ever-influential, Dutch superstar can do for up and coming female DJs what he has done for equally promising male talent in recent years, the world of EDM will likely see the gender scale start to balance.