This year, Paul van Dyk released the third in his popular 'Politics Of Dancing' LP series. A risky move, considering number two came out way back in '05, but van Dyk is actually stronger than ever over a decade later. “A great number of things had changed,” says Paul, about the gap between then and now. “The way we make and produce music, how we promote and release music and, of course, how we consume it,” he says.
The producer/DJ also staged his fourth We Are One Festival in Berlin earlier this year — a day and night party that kicks off on Rummelsburg Beach on the banks of the River Spree.
Finally, van Dyk tips his 2016 set at Aquanario as one of his best ever, saying, “I performed new versions of many of my tracks choreographed to a water, light, laser and firework show — backed by singers and an orchestra.” Impressive!
CHARLOTTE LUCY CIJFFERS
Trance might have lost its grip on the top-end of the poll to EDM, but nobody can deny the ongoing tenacity of its following. This enthusiasm, of course, is helped in no small part by the DJs and producers who've also stayed loyal to the sound — and Andrew Rayel is one of those leaders.
Speaking of (and at) Armin van Buuren's label and festival in Utrecht earlier this year, he said, “A State Of Trance, to me, is like my second family.” And while his music — as witnessed on his recent collaboration with Jonny Rose ('Daylight') — is increasingly taking on a harder, EDM-influenced “progressive” edge with pop vocals, there's no escaping the classic trance backbone running through its core.
2015 has seen him have another busy year, with gigs at both Tomorrowland and TomorrowWorld as well Ushuaia, Amnesia and Creamfields. However, it's one event in particular that sticks out in his mind. “EDC Las Vegas weekend with my whole team,” he remembers.
“It was truly an unbelievable experience, from event production to crowd, everything was superb.” And what about the year ahead? “For sure, more music, bigger shows and something very special for next year! Stay tuned.”
Ummet Ozcan's techno-influenced trance made something of a seamless transition to gain huge popularity amongst EDM fans, but that's come as no surprise to the man himself. “I am not bound to any musical conventions, I just produce whatever I like. People tend to put things in boxes. I personally don’t do that,” Ummet tells DJ Mag.
Of course, not every DJ or producer actually has a hand in creating the things that make the actual noises that are used to create tracks either, but Ummet is famous for providing softsynth and soundbank designs for some of the biggest music software houses too.
When it comes to making your own music, Ummet has a tip or two for aspiring producers: “There are certain elements that work better for your song than others, but the magic appears only with the right parts that fit the puzzle… but let’s say it helps to have a festival mindset before you start producing,” he advises.
Citing Tomorrowland 2015 in Belgium as one of the highlights of his past year of playing out, plans for 2016 look likely to see Ummet spending more time in the studio. “Producing is sometimes hard to combine with tour life,” he explains, before quickly adding: “My records are equally important. So that is one of my aims for 2016.”
A Belgium EDM hitmaker with a close link to newly crowned Top 100 kings Dimitri Vegas & Like Mike and their Smash The House label, Yves V kept the hits coming in 2015.
In addition to the turbo-charged main stage thrills of ‘Memories Will Fade’ earlier this year and his new single ‘Octagon’, he’s penned collaborations with the likes of Sidney Samson and Don Diablo.
He’s continued his residency at his country’s goliath Tomorrowland Festival, with his V Sessions Sound brand regularly hosting arenas at the three-day party in addition to his main stage performances, and he also took the brand to SupermartXe in Ibiza this year.
“My year has been amazing, I’ve been very lucky to return to some of my favourite places in the world,” Yves tells DJ Mag. “We went to Brazil for our first Tomorrowland event in Sao Paulo, visiting Thailand again was a lot of fun, and playing to sold out crowds at Dimitri Vegas & Like Mike’s House Of Madness night at Amnesia was crazy!
I’ve pushed my releases this year more as well with more original tracks, but I have a feeling 2016 is going to be bigger and better!”
For a new entrant into the Top 100 last year, DJ Snake’s had a pretty wild year. Which is presumably why he was otherwise engaged when being hit up for interview (probably, y’know, in Chile or Japan or something).
Born William Grigahcine in Paris, the viral hitmaker cites arty French film La Haine as an influence on his sound as well as Cypress Hill and KRS-One, and earned the name 'Snake' due to his effectiveness at hiding from the police after graffiting the Parisian ghetto.
Nominated for a Grammy as part of his productions on Lady Gaga’s album, the producer’s name blasted into the minds of the public after his 2014 track with Lil Jon, ‘Turn Down For What’, meant that you could barely step onto a dancefloor without hearing it.
But this year the DJ/producer proved to have even greater success, with the Major Lazer and MØ collab ‘Lean On’ raking in the plays (it scooped Best Dance/Electronic Song at the Billboard Awards and, more importantly, is a Top Tune of 2015 among a fair few of these Top 100 DJs...).
With recent appearances at TomorrowWorld, EDC, and an India tour scheduled for November, it’s fair to say that this Snake will soon be on another plane.
Deorro, born Erick Orrosquieta, started out DJing when he was just 14. Keen to encourage his interest in music, his father — also a DJ — bought him a copy of DAW Cakewalk Sonar aged 17, and he’s been producing ever since.
The LA-based producer and DJ’s breakthrough moment came in 2012 when he was asked to remix Chuckie’s ‘Make Some Noise’ — the resulting track reached the Beatport Top 50. Orrosquieta has since gone on to release singles on Hardwell’s label Revealed Recordings and collaborate with Steve Aoki, Diplo and R3hab.
In last year’s DJ Mag poll, Orrosquieta was voted in at No.19, the highest charting new entrant. Shortly before voting closed, the American-Mexican DJ made the surprise announcement on Twitter that he would be taking a break from performing to focus on producing and expanding his own record label PandaFunk.
The gamble seemed to pay off: in December, Orrosquieta’s single ‘Five More Hours’, featuring Chris Brown, reached top 10 in charts across Europe. He’s since returned to DJing, playing Coachella, EDC Las Vegas, Electric Zoo earlier this year as well as making a couple of appearances in the UK.
Dannic is an artist who needs little introduction. One of the Dutch crop of EDM stadium-fillers, the DJ/producer has been playing out for over a decade now, and just recently collaborated with 2014's No.1 DJ, Hardwell, on ‘Survivors’.
His saccharine synth-filled tunes have been scaling the lofty heights of the Beatport charts, girls are getting his lyrics tattooed on their backs, and the producer seems to be constantly hanging out by a pool. “My year has been amazing!” he nods.
“I released my ‘Dear Life’ documentary, played the Tomorrowland main stage and now I’m back in the Top 100 list! 2016 looks set to be bigger and better as I’m getting ready to launch my very own imprint, I can’t wait.”
That label is looking to be a place for his own work as well as other fresh faces. “That’s exactly why I wanted to launch my own label,” he explains. “So that I had a platform for my own sounds that I could fill with the grooves I wanted, but also support new talent that doesn’t have a specific home yet but a sound that would fit.”
Though he’s riding high on the waves of the industry, he’s aware that it would benefit from some feminine input. “I think there is definitely a space for more female DJs and producers to step up and equal it out!” he concludes.
Known as much for his personality both online and onstage as he is for his massively successful productions, Toronto native Joel Zimmerman, aka Deadmau5, maintains his place in the DJ Mag Top 100 DJs poll for another year.
Deadmau5 continues to showcase his endless musical versatility, tantalizing fans with previews on his Soundcloud account, like the melodic rework of last year’s hip-hop track ‘Are You Not Afraid’ and a powerful ballad of slowly building synths in a yet-to-be-released collaboration with Grabbitz called ‘Blood For the Bloodgoat’.
Always one to speak his mind about the state of electronic dance music, the year has seen no shortage of Twitter Mau5-traps — artists and fans alike may unwittingly step into one at any moment — but 2015 also saw the artist on line-ups across the globe.
A headlining act for the Bonnaroo Music & Arts Festival in Manchester, Tennessee, Deadmau5 also appeared at the fabled Austin City Limits, the Reading and Leeds Festivals in England and debuted a new stage at Governor’s Ball in New York City, where he prevailed despite technical turmoil.
Of course, entertaining audiences in the digital ether and on the live stage aren’t the only places you can find him; those who follow his work are well aware that the Mau5 is no stranger to the world of video games.
Earlier this year he released a unique series of sound clips featured in Dota 2, a game developed by the Bellevue, Washington-based Valve Corporation. At the close of the Dota 2 competition — TI5, the largest ever eSports tournament to date — Deadmau5 surprised the crowd at KeyArena in Seattle with a live performance, reminding everyone yet again that his persona is synonymous with large scale entertainment... no matter the mode or method.
We think Zedd must have been destined for success from an early age; born to a guitarist father and pianist mother, young Anton was classically trained in several instruments. Having a deeper understanding of his craft results in Zedd leaning far more towards musicality and groove than many of his Top 100 comrades.
Last year, dance-pop poster boy Zedd — real name Anton Zaslavski — clocked in at No.22 in our poll, but had decided to shut himself off from the musical world (it is a job after all) and couldn't answer our questions. Now charting again, DJ Mag were hoping to hear from the Russian-German producer, but alas, this year he's in similar predicament — although for a contrasting reason. Unfortunately for us (although thoroughly exciting and exhausting for him, we're sure), Zedd is deep into his US tour and a strict time schedule requires his full focus.
Zedd's year hasn't just been all about touring, however; back in May, he dropped his second studio album, ‘True Colors’, via internationally renowned label, Interscope. The record features the likes of Jon Bellion and Selena Gomez, the latter of whom appeared on lead single 'I Want You To Know'. The song won Choice Theme Song at the Teen Choice Awards and secured the No. 1 slot in the Billboard Dance/Electronic Songs chart — a feat the album would later go on to replicate in the Dance/Electronic Albums rankings. In fact, despite what some might call a mixed critical reception, ‘True Colors' made it to No.4 in the overall Billboard 200. Not bad for a 26-year-old who's only been producing since 2009.
Over the past few years, the world of EDM and hip-hop have grown ever closer. Waka Flocka Flame and Lil John have featured on singles produced by Steve Aoki, Borgore and DJ Snake; while duo TNGHT, a collaboration between producers Hudson Mohawke and Lunice, inspired a whole sub-genre with their super-charged hip-hop productions.
But few have enjoyed the fruits of this cross-over more than Diamante Blackmon, better known as DJ Carnage. Blackmon, who was inspired to start producing EDM after being introduced to hardstyle by a friend, has bridged the gap between hip-hop and dance music by introducing elements of trance and EDM into hip-hop instrumentals, creating a festival-ready hybrid that picks up where TNGHT left off and runs with it.
Carnage has made beats for Theophilus London, A$AP Mob and Riff Raff but it was a trap remix of Hardwell’s ‘Spaceman’ that propelled him to EDM superstardom in 2012. He’s since become a staple of the festival circuit, despite occasionally landing himself into trouble for overrunning his sets. Blackmon drops his debut album, ‘Papi Gordo’, this month with a headline tour to follow in 2016.