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Afrojack
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Position: 
8

Questions Top100 DJs 2015 - Jon Dommett - 2015-11-10 12:25

What’s the most important skill a DJ should have?: 
“The skill of DJing to me is still reading a crowd and playing to the crowd. I have the most respect for the DJs that focus on making it a fun party rather than just giving a dope show.”
Is the future still bright for EDM?: 
“If by EDM you mean dance music then yes, for sure. Dance music will always be dance music, and it will only get bigger. It means there's an entire new generation getting into dance music, so we have a long future!”
Does the constant travelling and DJ lifestyle ever take its toll on you mentally?: 
“Not mentally. Sometimes physically. It's not really that complicated: just have a lot of sleep, drink a lot of water and rest as much as you work.”
What cause is closest to your heart?: 
“I want to educate kids around the world about the freedom that life has to offer outside of society's perspective. Me and almost every other DJ and everyone else who's out there enjoying dance festivals and parties, we are the example that you can have an amazing life outside of society's limitations.”
Which club would you like to bring back from the dead?: 
“The little club in Scotland, The Arches. I heard it recently closed down, that sucked. That was an exemplary club for dance and underground music. That was a real passionate thing.”
Why aren’t there more women in the Top 100 DJs poll?: 
“Dance music is everything but sexist, so if there aren't enough girls in the DJ Mag Top 100, that's probably because girls aren't trying hard enough.”
What do you think of DJs who use ghost producers?: 
“If you get a ghost producer and you're open about it, that's fine. But when you try and hide it and act like you do know what you're doing, that's kind of stupid.”

If you were to accuse Afrojack of anything, it couldn't be of using a ghost producer. The Dutch DJ is in the studio when we call, prompting a load of back and forth texting to schedule the interview, and at one point accidentally starts blaring out a track he's been working on, causing our waveform to go a bit haywire.

The man born Nick Van de Wall laughs when DJ Mag asks him what he thinks about people who do. “I’ve had a lot of people saying, 'Ha ha ha, where’s your ghost producer, Afrojack?' I've been using the same programme and the same instruments for all my music for the last 17 years. It's pretty funny. I'm not gonna try to prove them wrong.”

On reflection, Afrojack has little to prove. He’s been having a pretty good year. ‘Hey Mama’, his recent track with Nicki Minaj and David Guetta, hit the Top 10 all over the world.

He’s been delivering his bouncy brand of hyperactive house to Ultra Peru, TomorrowWorld, Taiwan and Japan. He’s working on stuff for Rihanna. He’s just about to unveil the immortalised wax version of himself at the Amsterdam Madame Tussauds. It could be worse.

“I actually split up with my management this year, and it gave me more control about where I wanna go with my music,” he nods. “I've been producing a lot, outside of the EDM genre — I've been doing a lot of techno stuff with some friends.”

The Wall Recordings head, as well as being known for having dated a certain hotel heiress and crashing multiple(!) Ferraris, has become a household name for tracks like ‘Take Over Control’, and his collaborations with Bassjackers and Martin Garrix.

On the topic of women who mix, Van de Wall is all for the “feminine movement” that’s taking place. “I actually think that when a girl is DJing it makes it even cooler, because when a girl's DJing the guys can go, 'Oh that's so sexy', and the girls can be like 'Oh that's so awesome'. I'm pretty sure if Martin Garrix was a girl, he would still be as successful as he is now. But his name would be Martina.”

“DJing requires shit-loads of practice and I can imagine that a lot of girls just aren't that interested in DJing. I can't imagine another reason” he shrugs.

There’s that saying: find a job you love and you’ll never work a day in your life. “The first thing I do when I wake up is work,” Afrojack finishes. “Because I love my work. It's more like a hobby. It's difficult for me not to work 16 hours a day. But sometimes I do it, sometimes I just chill out and watch a movie or something.” 

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