“I think it’s a really odd phenomenon,” Armin van Buuren says matter-of-factly down the phone line. We’re talking with the legendary trance producer about ghost production — an issue that Armin feels strongly about.
“For example, everyone remembers the whole Milli Vanilli scandal, how cheated people felt. I think it's wrong if someone puts a name on a track they had nothing to do with, that they weren't even in the studio for. I've never used a ghost producer, I can firmly say that,” he states.
It’ll come as no surprise to any Armin fan that the industry champ crafts his own tracks. He’s been releasing music for nigh-on two decades through his imprint Armada and radio show/label, A State Of Trance. It’s not just with his tunes that Armin has garnered fans worldwide — he’s adored for his spectacular stage shows too. His 2014 Armin Only tour took 35 people on the road, including a theatre director, trapeze artists, dancers, singers and musicians, with this year’s Intense tour going even bigger.
“It was probably the worst decision for me to do this tour financially,” he says, ruefully. “But the best choice for me personally. It was the best time of my life!”
“It's so sad when it’s over because I won't get to see my Intense family anymore, we’re a really close team,” he finishes, passionately.
Armin’s Intense tour crossed the globe from corner to corner, with the DJ visiting the Ukraine, India, Russia, the USA, South Africa and Australia — phew! As if that wasn’t enough to keep him busy, Armin also held down his usual residency in Ibiza this year, spinning every Thursday to his loyal legion of White Isle trancers. “Ibiza is always fun, this year was really excellent. It feels like a home-coming when I play there,” he says of lush Ibiza venue Ushuaia, which he moved to following many seasons at Privilege.
So after another successful year as trance’s leading man, with his sixth studio album ‘Embrace’ set to drop on October 29th, is Armin van Buuren still in love with his day job? Absolutely!
“To be a great DJ you need to be able to read the crowd, to read the room, and track selection is obviously the most important thing! That's why it's so special to be one. I’m still really excited every time I play a set.”
CHARLOTTE LUCY CIJFFERS